Category Archives: Tip

Using Waves Codex To Design A Custom Riser Transition

https://embed.pivotshare.com/?media_id=69882&channel_id=7235”%20frameBorder=

Often times in music production, you may find yourself in need of a transition to segway from one section of a track into another. There are various ways in which this can be done, but one in particular that can fit the bill is a classic riser transition. Whether you may realize it or not, there’s a good chance that you’re already familiar with this type of effect, as its often found in modern E.D.M. and hip-hop/trap styles of music. It has a signature sound, and there’s a good reason why it gets used – simply put, it just works..

Although there are numerous sample packs available with these types of transitions, they can easily be generated (and customized) using the right type of Virtual Instrument. In fact, this is often more preferable, as with a couple quick tweaks of a parameter here and there, you can easily come up with something that fits the track, and has its own unique sound.

In this 1st video of a 2 part free tutorial series with the support of Waves, Marcus demonstrates how to use the Waves Codex Wavetable Synth plug-in to create a custom riser transition in a hip-hop/trap song. In addition to using Codex, he also turns to Waves OneKnob Pumper to help create a gated effect, as well as Renaissance Reverb to add some depth and ambience.

Take A 2009 Apple Mac Pro And Turn It Into An Ultimate 12 Core Mac Pro – Upgrade Video

We came across this excellent video showing how a guy took a 2009 4,1 Mac Pro and with used part from eBay and just $1500 Canadian Dollar, including the cost of the Mac, turned it into a 12 Core 2017 Mac Pro, with benchmarks to prove it.

The video is great it gives reasons for choosing the part and then how to fit each new component in detail.

It’s long but well worth watching for those who want to breathe new life into their old Mac Pro.

17 Ways to Optimize Your Windows PC for Studio One

Microsoft Windows has been the world’s number one operating system for almost 30 years – it runs on everything from desktop PCs, laptops, tablets, phones, ATM machines, electronic billboards and many other devices. Because of its ubiquity, there are an enormous combination of hardware settings, system settings and audio settings available that can affect how Studio One will run on your machine.

For the computer musician, it is wise to spend some time tweaking your system for audio – it can help improve performance and stability. These steps can reap benefits if you are experiencing problems in audio playback (clicks, pops, dropouts or other artifacts), or if you are simply looking to get the most out of your hardware.

Note: For many of these steps, we will be accessing config options directly from the “Run” Command. You can access run in several ways:

  1. Use the Windows Key + R
  2. Search for it in the Start Menu
  3. Choose it from ‘Accessories’ in the Start Menu

Upgrade

Certainly one of the most dramatic (and expensive) ways to improve your computer’s ability to handle audio is to consider upgrading your hardware. Thankfully, these days, upgrading a machine’s RAM or Storage Drive has never been easier or cheaper.

  1. Maxing out your RAM is by far the simplest way to upgrade.
  2. If possible, and if your budget allows, consider using a Solid State Drive (SSD) instead of a Hard Disk Drive (HDD) for your OS. While much more expensive per Gigabyte, the performance increase offered by an SSD has to be seen to be believed.
  3. A new graphics card, cooling system or power supply can also reap noticeable benefits to a PC’s performance.
  4. If PC fan noise is an issue, look into a silent cooling system.
  5. Make sure you are running a 64 bit version of windows if your processor can support it. This brings numerous benefits including more efficient RAM usage. To check this, head to

Control Panel>System and Security>System

Update

One of the most important things you can do to maintain an optimized system is keep up to date.

  • OS – Check Windows Update regularly for patches and updates. You can do this in Control Panel > System and Security > Windows Update.

  • Program – Make sure you have the latest version of Studio One installed – there are frequent releases for bug fixes and general improvements – you can check for updates in the “Help” Menu.

  • Plugins – if you use third party VST plugins, check occasionally to make sure they are up-to-date. Every plugin will have its own way for you to keep it up-to-date. Some companies (like Native Instruments) allow you to keep your software current by using the NI Service Center.
  • Drivers – Drivers act as the link between software and hardware, and they can be updated from the Device Manager. Look for your soundcard under “Sound, Video and Game Controllers,” right-click and choose “Update Driver Software.”

For audio production, your choice of audio drivers matters, a lot. For low-latency playback on Windows, ASIO4all is the best driver by a considerable margin, and is a must for any Windows audio system. Check their website (www.asio4all.com) for updates.

If you are using am external soundcard, it will usually come with a custom ASIO driver made specifically for that card. This, too, should be kept up-to-date by checking the manufacturer’s website.

Choose the “High Performance” Power Plan

Windows allows you to choose between high performance settings and more power-friendly, eco settings.

  1. Start>Control Panel>Power Options.
  2. Choose “High Performance.”
  3. You can configure more advanced options in “Change Plan Settings.”

Uninstall Any Programs You Do Not Want/Use

New PCs often come with unwanted trialware pre-installed. Similarly, old PCs can often accumulate junk from daily use. Head to Control Panel > Programs and Features to uninstall anything extraneous that you do not use.

Disable Startup Programs

Developers want you to use their programs, so sometimes they make their programs start with windows at startup. This not only slows the speed of booting up the OS, it also allows that program to stay running (and hogging resources) until you manually close it.

To view the list of startup programs:

  1. Click the start menu & search for ‘run’ (or press Windows key + R).
  2. Type ‘msconfig.’
  3. Click the ‘Startup’ tab.
  4. Disable any unnecessary programs.

Disable Aero Visual Effects on Windows 7

By default, Windows 7 uses the Aero Graphics theme which includes things like window transparency, snapping, animations and other fancy visual effects. These use a certain amount of system resources and it is often significant on low-performance or older PCs. To switch to a more basic visual style:

  1. Start>Control Panel>Personalization.
  2. Choose a theme from ‘Basic and High Contrast Themes.’

Disable User Account Control

This step can streamline application installs and updates.

  1. Start> Search for User Account Control Settings.
  2. Move the slider to “Never Notify.”

Disable Visual Effects

Click the start menu & search for ‘run’ (or press Windows key + R)

  1. Type : “SystemPropertiesPerformance” and press Enter.
  2. On the Visual Effects Tab, select ‘Adjust for best performance.’

Disable Windows Firewall, Anti-Virus and Anti-Spyware

This can free up system resources and additionally it ensures that you will not be interrupted during recording or playback. Consult the website of the AV programs you use for information on how to temporarily disable them. Windows Firewall can be disabled in the Control Panel.

  • Control Panel>Windows Firewall>Turn Windows Firewall On or Off.

Disable Unnecessary Windows Features

  • Control Panel> Programs> Turn Windows Features on or off.

On my Studio PC, I usually disable

  1. Games (Waste of Time and Space).
  2. Windows Gadget Platform (Major security holes associated with these and Microsoft themselves recommend disabling them).

Disable System Sounds

System Sounds can interrupt audio from your DAW.

  1. Control Panel>Hardware and Sound>Sound.
  2. In the “Sounds” tab, choose “No Sounds.”

 Allocate Processor Resources

  1. Click the start menu & search for ‘run’ (or press Windows key + R).
  2. Type : “SystemPropertiesPerformance” and press Enter.
  3. On the ‘Advanced’ Tab, choose ‘Background Services’ (This is because Audio drivers is treated as background Services, not as programs).

Enable DMA (Direct Memory Access) on Each IDE Channel

This allows data to be transferred directly into RAM and can improve performance. To ensure DMA is enabled

  1. Open device manager (Run>devmgmt.msc).
  2. Expand the IDE ATA/ATAPI controllers category then double click on each one of the IDE channels.
  3. Under the ‘Advanced Settings’ tab, make sure the ‘Enable DMA’ box is ticked in device properties.

Note: this only applies to certain hardware and if this option is not available, you should not worry about this step.

Defragment your Hard Drive(s)

It is good practice to defragment your Hard Drive occasionally- this forces the Drive to store information in a more tidy way, freeing up space and making the information faster to access.

  • Start>All Programs>System Tools> Disk Defragmenter.

Use a Disk and Registry Cleaner

As your computer gets older, it collects unused files and settings which take up hard drive space – making it slower and slower. A good maintenance app like CCleaner cleans up these files and makes it faster with the click of a button. You can download that at their website: https://www.piriform.com/ccleaner.

Disable Unnecessary Windows Services

IMPORTANT: Before disabling a service, ensure that it is safe to do so. Always read the Description field before disabling one. Use common sense.

Example: “iPod Service” is safe to disable, “Windows Driver Foundation” is not.

  1. Run>services.msc.
  2. Right click on a running service and choose “Stop” from the context menu.

Use ReadyBoost

ReadyBoost is a disk caching software component of Windows Vista and later Microsoft operating systems. It allows any compatible mass storage device to be used as a hard-drive memory cache for the purpose of increasing random read access speed to the hard drive.

  1. Plug in a USB flash drive.
  2. Computer>Right Click on the USB drive>Properties.
  3. On the ReadyBoost Tab, choose either “Use this device” or “Dedicate this device to ReadyBoost.”

Perform any/all of these on an older computer and you should see a dramatic performance boost. On a new/newer computer, taking these steps should set you up for minimal working interruptions from your computer and allow you to focus on what’s important.

5 Studio One Plug-ins You Should Not Ignore

There are some plug-ins that are sexy; console emulations, tape saturation, vintage compressors and reverb plates to name just some. However there are some plugins that ship with Studio One that are indispensable tools when tracking and mixing, here are our top 5.

Mixtool

Mixtool enables you to deal with gain, DC offset and invert phase. If you’ve ever worked on an analogue console then you will know how essential the gain and phase switch can be. Placing this at the top of any mix chain gives you those old console options, it’s a lot handier to pull down the gain on the console than in the audio events.

Pipeline

If you use analogue hardware as part of your mix process then Pipeline is perhaps the most elegant solution for doing this in any DAW on the market. Spend an hour setting up Pipeline and you can soon use all your hardware like plugins in Studio One.

Watch our video on using Pipeline in Studio One

Tone Generator

Tone Generator has a multitude of uses for both music and post work. You can use it as a way to create everything from kicks, snares and hats to sweeps and drops. You can of course also use it as a tone generator if you need to deliver mixes for post that require tone at the start.

Tuner

The fastest way to ruin a song is to have out of tune parts on it – and there’s one thing better than autotune, that’s making sure the thing is in tune in the first place. Keeping a tuner on the input stage when you are tracking guitars, bass, strings, vintage synth and more is a great habit to get into. I often check tuning before every record pass, it is sometimes out a little, which if not corrected makes editing and comping almost impossible.

Dual Pan

Using Dual Pan on stereo channels allows you to either balance an existng stereo recording or pull in the stereo image of certain tracks, Very useful on drum overheads, rooms and also on pianos and keys that may sound better with a little less width.

Summary

Some of these plugins may not seem very sexy, but when it comes to getting a mix in shape they may well save your mix.

How To Get Great Guitar Tones Using The Free Plug-ins In Studio One

It’s highly likely that if you are going to be using the free version of Studio One, Studio One Prime, that you are going to be wanting to lay down some guitars. The great news is that Studio One Prime comes with some great free plug-ins that can help you get a huge variety of guitar tones.

Studio One Prime includes RedLightDist, a hugely flexible plug-in that features everything from subtle clipping right through to outright destruction and a limited version of Ampire, the guitar amp and cab plug-in.

For the two examples I wanted to show both subtle guitar clipping as if the guitar is going through a combo and then great distortion effects that are possible by combining the plug-ins.

The best news is that I’m not a great guitar player, so just imagine what you can do if you care an axe fiend… over to you!

Clean Guitar With Bite

In the first example I’ve used a Telecaster with Humbucker pickups in the centre position – I’ve simply added some RedLightDist to add character to the sound as it is being connected directly to the audio interface (DI). I’ve included the images to show you the settings in both the first and second example. 

In the audio example the guitar starts off just with the DI sound and then the RedLightDist fades and then back out to demonstrate how using the Mix control can blend the sound to taste.

Guitar With Distortion

In the second example I’ve use the same Telecaster with Humbuckers but in the rear position. I’ve used the RedLightDist to create the Distortion and then used the Cabinet only on Ampire to create a cab setting and warm the sound up. Without the cabinet it sounds like a distortion pedal but with it you get a nice big round distortion without the fizzy top end.

In the second audio example the guitar starts off just with the DI sound and then the RedLightDist and Ampire cut in we then bypass and then back again. Huge difference!

Six Tips To Help You Get The Most Out Of A Dual Monitor Setup In Studio One

0
0
1
338
1930
XSIV Music Productions
16
4
2264
14.0

Normal
0

false
false
false

EN-US
JA
X-NONE

/* Style Definitions */
table.MsoNormalTable
{mso-style-name:”Table Normal”;
mso-tstyle-rowband-size:0;
mso-tstyle-colband-size:0;
mso-style-noshow:yes;
mso-style-priority:99;
mso-style-parent:””;
mso-padding-alt:0in 5.4pt 0in 5.4pt;
mso-para-margin-top:0in;
mso-para-margin-right:0in;
mso-para-margin-bottom:8.0pt;
mso-para-margin-left:0in;
line-height:107%;
mso-pagination:widow-orphan;
font-size:11.0pt;
font-family:Calibri;
mso-ascii-font-family:Calibri;
mso-ascii-theme-font:minor-latin;
mso-hansi-font-family:Calibri;
mso-hansi-theme-font:minor-latin;}

With the price of hardware plummeting, many electronic musicians are now rocking dual or even triple-monitor setups on their studio machines. When working on a song, a second display can dramatically increase your productivity – as you can work on two tasks full-screen rather than having to switch between two views all the time, or split one screen in half to multitask.  Here are our top 6 tips for making the most from a dual-monitor setup when working with Studio One.

Optimize Screen Resolution & Alignment.

If your monitors both support the same resolution, great! Spend some time adjusting the resolution on each monitor such that you get the max resolution, while minimizing weird scaling differences and impenetrable pixel walls between monitors. Be sure to align them in a way that makes sense for how they are placed in relation to one another. These display options are all available in the OS settings.

Optimize Your Ergonomics To Avoid Injury.

  1. Position one of the monitors directly in front, the other slightly to one side. This allows you to look straight at your ‘main’ monitor without rotating your neck. Trying to position them both just off-centre so you can see them both equally easily will mean you end up having your neck slightly twisted all the time, regardless of which monitor you use most. Over a long period of time, this could lead to neck and back problems.
  2. Make sure both monitors are placed at eye-level. Again, prolonged gazing up or down at a monitor can lead to serious health issues down the line.
  3. Make sure your chair is a good height for you so that you can maintain good posture.
Figure 1: Detach

Figure 1: Detach

Use The Different Studio One Views Full Screen.

Figure 2: Maximize

Figure 2: Maximize

Sporting dual monitors means you can view two of Studio Ones three views full screen at any one time. So say if you have the song view open on the main monitor, you can view either the console or the editor full screen on the auxiliary monitor. Viewing these windows full screen makes it so much easier to see what you’re doing while doing intricate editing work.

First, detach the window from the dock and drag it to the second monitor by the title bar. Second, hit the maximize button. Once you’ve done this with both the edit window and the console, you can toggle instantly between the two by using the ‘3’ key.

Learn Your Shortcuts!

Now that your mouse has acres of space to get lost in, sometimes it can really pay off to internalize a handful of keyboard shortcuts to help you place each window exactly where you need it.

  • Shift+Win+Left/Right arrows: Move the window to the monitor on the left or right.
  • Win+Home: Clear all but the active window.
  • Win+Up arrow: Maximize the active window.
  • Shift+Win+Up arrow: Maximize the active window vertically.
  • Win+Down arrow: Minimize the window/Restore the window if it’s maximized.

Win+Left/Right arrows: Dock the window to the side of the current monitor, additional presses will push the application to the next monitor edge, then center, then opposite edge continuing in this pattern across all available monitors.

0
0
1
38
221
XSIV Music Productions
1
1
258
14.0

Normal
0

false
false
false

EN-US
JA
X-NONE

/* Style Definitions */
table.MsoNormalTable
{mso-style-name:”Table Normal”;
mso-tstyle-rowband-size:0;
mso-tstyle-colband-size:0;
mso-style-noshow:yes;
mso-style-priority:99;
mso-style-parent:””;
mso-padding-alt:0in 5.4pt 0in 5.4pt;
mso-para-margin-top:0in;
mso-para-margin-right:0in;
mso-para-margin-bottom:8.0pt;
mso-para-margin-left:0in;
line-height:107%;
mso-pagination:widow-orphan;
font-size:11.0pt;
font-family:Calibri;
mso-ascii-font-family:Calibri;
mso-ascii-theme-font:minor-latin;
mso-hansi-font-family:Calibri;
mso-hansi-theme-font:minor-latin;}

Rewire, Baby!

Dual monitors make it easier than ever to take advantage of Rewire- as you can show one DAW on each monitor. Makes it a breeze to get the two playing nicely together, and combining the strengths of each really gives you access to untold power.

0
0
1
29
168
XSIV Music Productions
1
1
196
14.0

Normal
0

false
false
false

EN-US
JA
X-NONE

/* Style Definitions */
table.MsoNormalTable
{mso-style-name:”Table Normal”;
mso-tstyle-rowband-size:0;
mso-tstyle-colband-size:0;
mso-style-noshow:yes;
mso-style-priority:99;
mso-style-parent:””;
mso-padding-alt:0in 5.4pt 0in 5.4pt;
mso-para-margin-top:0in;
mso-para-margin-right:0in;
mso-para-margin-bottom:8.0pt;
mso-para-margin-left:0in;
line-height:107%;
mso-pagination:widow-orphan;
font-size:11.0pt;
font-family:Calibri;
mso-ascii-font-family:Calibri;
mso-ascii-theme-font:minor-latin;
mso-hansi-font-family:Calibri;
mso-hansi-theme-font:minor-latin;}

Video Editing

What could be more satisfying than scoring a video with a fullscreen program monitor? Nothing, that’s what. Use your dual monitor setup to sync the sound to every frame of the film.

0
0
1
13
76
XSIV Music Productions
1
1
88
14.0

Normal
0

false
false
false

EN-US
JA
X-NONE

/* Style Definitions */
table.MsoNormalTable
{mso-style-name:”Table Normal”;
mso-tstyle-rowband-size:0;
mso-tstyle-colband-size:0;
mso-style-noshow:yes;
mso-style-priority:99;
mso-style-parent:””;
mso-padding-alt:0in 5.4pt 0in 5.4pt;
mso-para-margin-top:0in;
mso-para-margin-right:0in;
mso-para-margin-bottom:8.0pt;
mso-para-margin-left:0in;
line-height:107%;
mso-pagination:widow-orphan;
font-size:11.0pt;
font-family:Calibri;
mso-ascii-font-family:Calibri;
mso-ascii-theme-font:minor-latin;
mso-hansi-font-family:Calibri;
mso-hansi-theme-font:minor-latin;}

How do you make the most out of your dual monitor setup? Let us know in the comments. 

A to Z of Studio One – G is for GROUPS

While Folder Tracks are a great way to visually organize, edit and route multiple tracks – especially in large sessions, Groups can be useful to group multiple tracks together so that any edits done to an Event on one track in the group are automatically done to all Events for each track in that group – without adding another track in the Tracks List. The question may arise “Ok, but I can edit all events in a Folder Track as well, right?” My answer would be “Yes, thats true. Grouping is just a different workflow and might suit some users better than Folder Tracks.” 

Ok, lets dive in and have a look, shall we?

Edit Groups

For example, you may wish to group all of your percussion or drum tracks together so that when the events are cut and moved, the relative timing between the tracks remains intact. 

Here is how:

  • Select multiple Tracks/Console Channels you want to group. 
  • [Secondary]/[Control]-click on any of the previously selected Tracks/Console Channels.
  • Choose Group Selected Tracks from the pop-up menu (context menu).

When quantizing or slicing multitrack audio, it is important that all edits are performed across every track in a way that preserves the phase relationships. This is referred to as phase-coherent editing. In Studio One, all that is required to ensure this happens is for the tracks to be grouped. Once the tracks are grouped, Studio One takes care of phase coherence for you.


All the tracks will now be part of a new Edit Group. While Edit Groups are automatically named based on the order they are created and shown as Group 1, Group 2 and so on, you can easily rename them via the Edit Group selector box below the track name (adjust your track height if you can’t see that!). Have a look at the “Rename Group” .gif animation.

To rename a Group

  • Navigate to the Edit Group selector box (adjust your track height if you can’t see that!) or the Track inspector.
  • Choose Rename Group.
  • Enter a name for the Group and hit [Enter] or click OK.

You can always add tracks to existing Groups

Add Tracks to Group - Arrange View

Add Tracks to Group – Arrange View

  • Navigate to the Edit Group selector box (adjust your track height if you can’t see that!) and click it.
  • Choose the Group name of choice like “perc”.

 

Certain actions like muting, soloing, and splitting events can be performed on a track within an Edit Group, without affecting the group as a whole, by temporarily suspending the group. If you want to temporarily suspend an existing Group just hold [alt]/[option] on your computer keyboard while performing an action on the track.

To dissolve or un-group an existing Group 

  • select the grouped Tracks/Console Channels.
  • [Secondary]/[control] – click on any of the selected Tracks/Console Channels.
  • Choose Dissolve Group from the pop-up menu (context menu) or use the corresponding Keyboard Shortcut.

Keep in mind: If you dissolve a Group the name of the Group will vanish!

 

Here a last quick reference from the Studio One manual

When a channel is placed in a Group, its fader will be linked to the faders for all other Tracks in the Group, so that all of the faders will move when any of them is moved. The movement of faders in the Group will be relative to one another, maintaining the correct dB value relationships among the faders. Note that Channel Pan is not affected by grouping, as channels within a group are very often panned separately.

Solo, Mute, Record Enable, and Monitor Enable controls will also be linked for all channels in a Group. No other aspect of the channel in the Console is affected by grouping.

Instrument Tracks in the Arrange view have no direct representation in the Console. The audio outputs of the virtual instruments to which they are routed will have channels in the Console. It should be noted, however, that grouping Instrument Tracks in the Arrange view only affects editing those Tracks and has no effect on the Instrument Channels for the virtual-instrument audio outputs. 

How To Use Clip Gain To De-Breathe Audio In PreSonus Studio One

In this short free Studio One video tutorial, Russ shows how to use clip gain automation to de-breathe a track. This method does not require you to split the audio of the track up and replicates the clip gain workflow from other DAWs like Pro Tools.

4 Plug-ins That Sit On My Master Buss In Studio One

One of the great features of Studio One is the ability to save preset chains that can be recalled when needed. I have one called ‘Russ Master’ which features plug-ins I find invaluable when mixing.

SSL 4000 G Series Master Buss Compressor

This plug-in comes in several flavours with versions from both Waves and Universal Audio on their UAD platform. Rather than use the SSL 4000 G Series mix buss compressor for adding loudness it has the effect of gluing a mix together, which I find works best when used in a subtle fashion.

I get a rough level up and then set the threshold so the meter is showing no more than 4db of compression, in fact barely kissing the first segment of the VU markers. Then I add a little make-up gain and mix into it adjusting the rest of the settings to taste and depending on the genre of music.

The SSL 4000 G Series master buss compressor is magic.

Slate FG-X MASTERING PROCESSOR

Second in the chain is the Slate FG-X MASTERING PROCESSOR, which is used to add some energy and loudness in the mix.

I find the Slate FG-X MASTERING PROCESSOR is able to increase the level of a mix without any audible effects like nasty pumping or crushing. In fact, you can push it quite hard before noticing it.

The unit is split into a compressor and leveler, when combined the two sections are powerful compression and leveling tools with some smart features like Dynamic Perception and Transient Preservation.

Non-Lethal Applications Snapshot

Snapshot is a simple concept and invaluable for those using hardware on their mix-buss – but as the guy who invented it, I’m bound to say that.

Snapshot lets you take a photo of your hardware settings then store them on the tracks in your DAW. So if you ever need to recall a mix that uses Pipeline attached to hardware then you can see how things were set.

Get it free here

Sonarworks Reference 4

Sonarworks is a room calibration software plug-in that once set can dramatically improve your mixes. Used with their reference microphone, the set-up process takes less than 30 minutes, after which your speakers should give a truer sound in the room.

When I first used Sonarworks I found my mixes had better mid-range and spatial positioning. You can use Sonarworks with headphones too so that you can have a consistent sound across all transducers you mix with.

It’s well worth considering something like Sonarworks to help give you a better-calibrated mix environment – this leads to your mixes translating better in the real world.

Free – The A-Z Of Waves – Interactive eBook Download

In 2016 Pro Tools Expert started The A-Z Of Waves. The series featured a range of Wave plug-ins in alphabetical order. Once the series was completed Pro Tools Expert decided to collate all the posts to produce an interactive 59 page eBook including extra free Waves tutorial videos.

The A-Z Of Waves eBook is free to download – no sign-ups, no email address. This is our gift to the Waves fans. Waves are currently celebrating their 25th Anniversary in the Pro Audio Industry – Happy Birthday Waves!

The free A-Z Of Waves eBook is in PDF format. The eBook covers a vast range of plug-ins and products by Waves including reviews, interviews and free video tutorials produced by Pro Tools Expert that shows you how to use Waves plug-ins in Music and Post Production. 

Much of the content is DAW agnostic, so there is plenty of content for all users of Waves plug-ins.

Download your free copy of The A-Z Of Waves eBook by visiting the Waves website.