Category Archives: modular

World’s Most Advanced ADSR from STG Soundlabs

STG Soundlabs, the modular manufacturing business of Knobcon founder “Suit &Tie Guy,” is now taking orders for their envelope generator, billed as “the world’s most advanced ASDR,” in both 5U and Eurorack formats. 

The module features three different EG models: [Moog] 911 style DADSR/AHDSR, Synthi 100 Trapezoid with quadrature outputs, and STG’s own ADSAR/DASAR, called the Pyramid Blaster. If it’s confusing why there are multiple shapes mentioned for each model, it is because this envelope generator outputs two shapes simultaneously.

There are four modes of operation: Hold, Trigger, LFO A, and LFO B. “Hold” means the envelope will move to the sustain stage and wait until the trigger input returns to zero volts to move to the next stage. “Trigger” means the envelope will move through all time stages on a leading edge at the trigger input, “LFO A” means the envelope will free-run in a loop and restart on a leading edge at the trigger input, and “LFO B” means it will loop only while a gate signal is present at the trigger input. 

The Envelope Generator has four different time scales: X.1, X1, X10, and Tempo Sync. The Xn scales are based on the absolute time markings on the front panel dials, one-second, ten-second, and 100-second ranges. “Sync” will tempo-sync the stage times to musical values based on tempo information received over the STG Clock Bus connector on the back of the unit. 

Additionally the module supports full voltage control of time and sustain level, slope control and cv, and gate outputs for each stage via a sidecar module

The following Instagram video shows the two simultaneous envelopes using the Synthi 100 trapezoid model: https://www.instagram.com/p/Bav9r3tg-MW/

Introductory pricing is $250 for the EG alone; $385 for the EG with the sidecar. 

This Is What a Synth with 100 Oscillators Sounds Like

YouTube synth blogger “Look Mum No Computer” is nothing if not high-energy. That energy has reached new heights in his latest project, a homebuilt modular synth with 100 oscillators. One. Hundred. Each with its own filter and envelope. 

Right now it mainly does swarm and drone-type sounds, but he’s adding a real-time means to control the pitch so it can be used to generate riffs and bass lines. 

Check his video here. We’re wondering, can we get this guy to do videos for us? 

WMD Shows Arpitecht Arpeggiator Module

Colorado-based WMD have become one of the more established and well known makers of Eurorack modular synth gear, and their latest release, shown at Knobcon 2017, is the Arpitecht. In their words, it’s a “voltage-controlled quanitzer and rhythmic arpeggio generator.” The cool part, though, is that via its ability to handle many different kinds of scales and modes, it enables modular musicians who might not have a traditional musical background to sound like they do.

Melodies and arpeggios spanning up to eight octaves are possible. An adjunct module, Triad (just to the left of the Arpitecht in this rack), adds polyphonic chord capabilities.

Alex from WMD gives us the lowdown in this video. The Arpitecht will be available from dealers at an MSRP of US $299.

 

 

Knobcon 2017 – Synthrotek Quadrangle and TST Modules

Portland, Oregon-based Synthrotek have built a deserved reputation as both an architect of their own products and a seller of curated modular gear, including the work of George Mattson, who can rightfully be said to have invented the “keytar” (the Performance Music Systems Syntar, which arguably has never been improved upon).

At Knobcon 2017, they introduced two new modules: the Quadrangle, a four-way envelope and function generator; and the TST, a cool little utility module which lets you power and test other modules before installing them permanently in your Eurorack system. Proprietor Steve Harmon gives us a look at both in the video below.

Knobcon 2017 – The Return of Polyfusion

Polyfusion modular systems have been iconic in the minds of synthesists, perhaps since this 1982 image appeared: Steve Porcaro from the band Toto posing with Darius, his giant modular system.

Steve Porcaro in 1982 with Polyfusion Modular synth. Image via WIkimedia Commons.

Steve Porcaro in 1982 with Polyfusion Modular synth. Image via WIkimedia Commons.

Now, partners Jim Soloman and Jammie Logan have secured rights to re-issue the series 2000 system, having entered into an agreement with Polyfusion founder Ron Folkman. It will be available both built-up and as a DIY system, and though circuit-for-circuit identical, it will feature numerous construction enhancements that the partners claim will greatly improve reliability. In the video below, the synth shown is a new-old-stock vintage unit, and Soloman and Logan talk about these improvements. Then, just after three minutes in, the Bob Moog Foundation’s Dave Lovelace drops by for a shredding session that shows us how huge this beast can sound. 

Logan and Soloman also intend to do a keyboarded version (!) as well as a full-sized ARP 2600 clone. Expected availability is NAMM 2018. They’ve kindly offered to let us evaluate prototypes, so we’ll keep you posted on all things Polyfusion as they develop.

KnobCon 2017 Announces Full Lineup

KnobCon, a grassroots synth convention located in Chicagoland but attended by manufacturers, experts, and enthusiasts from all around the world, is having its sixth annual meetup from September 8 through 10. (Our editor Stephen Fortner will be in attendance and hopes to see you there!)

Beyond the exhibit floor brimming with modular, analog, and modern digital gear alike, this year’s roster of workshops and panels looks like the best ever. It was just recently finalized, so here are the details:

SATURDAY, SEPTEMBER 9, 2017

11:00 A.M. – The Basics of Synthesis with Marc Doty – Marc Doty, former archivist for the Bob Moog Foundation, is the creator of countless YouTube synthesizer reviews and tutorials. Here, he breaks down the basics of synthesis for newcomers, the curious, or even veterans who might be surprised at the benefits of a refresher.

1:00 P.M. – Randomness Applications in Electronic Music with Jon Sonnenberg – This workshop examines the ways in which randomness and probability can be applied in electronic music production and performance.

3:00 P.M. – Ask Me Anything with Michael Lehmann Boddicker – One of the most influential and prolific synthesist/keyboardists in the pop music and film industries for over four decades, Mr. Boddicker’s work includes composing the soundtrack of the cult sci-fi film Buckaroo Banzai and crafting keyboard sounds on Michael Jackson’s album Thriller. It would use far less space to list the projects he hasn’t worked on! Ask this legend anything on a panel moderated by KnobCon founder Suit & Tie Guy.

5:00 P.M. – Whiskey Tasting with Winston Edwards – Whiskey tasting at a synth convention? Why not? If you like whiskey, educate your taste buds about its range of flavors in this crash course presented by Balcones Distilling.

SUNDAY, SEPTEMBER 10, 2017

11: 00 A.M. – Harald Bode, Innovator Unsung with Marc Doty – Long before Bob Moog, there was Harald Bode’s groundbreaking accomplishments in electronic instrument design and signal processing — in the 1930’s, no less! Marc Doty presents an exploration of one of the least well-known yet most influential and relevant inventors in the field of electronic music technology.

1:00 P.M. – A History of Reverberation in Recorded Music with William Beith – Chicagoland’s very own plate reverb craftsman has built reverbs for many leading studios. He explains how reverb came to be used in recordings, its development, and the mechanics behind the ambience.

3:00 P.M. – Ask Me Anything with Tom Oberheim – If you have to narrow modern synth designers down to a “big three” of demigods, Tom Oberheim’s name invariably goes next to Bob Moog and Dave Smith. Now’s your chance to find out anything you’ve always wanted to know about his work, straight from the man himself. Moderated by KnobCon founder Suit & Tie Guy.

5:00 P.M. – The B-Boy Tech Report with Corry Banks – The popular music production podcaster conducts a broadcast live from KnobCon.

In addition, build-it-yourself workshops will run on both Saturday and Sunday. Hit up the event page for links to information about these, registration, lodging, and more. FYI, all of the above fits into the “Informative Workshops” section of the larger overall event schedule you’ll find on this page.

 

 

 

Kenton Announces Pro CV-to-MIDI Convertor

Kenton Electronics, longtime makers of utilitarian gear for combining analog and digital worlds, announced the Pro CV-to-MIDI. We’re all familiar with MIDI-to-CV, but this box works in the other direction: It takes any control voltage (CV) signal — whether it’s being used for pitch-bend, modulation, or anything else —  and converts it to MIDI continuous controller data. It tracks with incredible accuracy, and supports the industry standard Volt/Octave system, the 1.2V/Octave system used by EML and Buchla, and the Hz/Volt system used by Korg and Yamaha. 

This means anything coming out of any analog synth or module, from a modular synth to a Theremin, can be captured as data for sequencing or driving further performances on MIDI-equipped synths. 

The Pro CV-to-MIDI is available now at a price of  approximately 133 GBP including VAT, or approximately US $170. Click here for more information.

Jim Aikin on Modular Synth Patching – Part 3 of 3

Electronic musician and technology guru Jim Aikin gives us the final details of his crazy four-part modular synth patch, plus some interesting facts about his hardware setup. 

Previous parts of this tutorial: 

Jim Aikin on Modular Synth Patching – Part 2 of 3

Electronic composer and music tech journalist Jim Aikin is an icon in the synth community, having been a longtime editor at Keyboard magazine; a contributor to Electronic Musician, Mix, and other popular magazines; and an award-wining sci-fi author in his spare time. In this second installment of three (here’s the first) he goes into deeper detail about the four-part, multi-timbral, multi-time-signature patch he created on his ever-growing Eurorack modular system. We look at many of the individual modules used and trace the signal paths of what’s modulating what.

We’ll go even deeper in the upcoming Part 3. 

Jim Aikin on Modular Synth Patching – Part 1 of 3

Electronic composer and music tech journalist Jim Aikin is an icon in the synth community, having been a longtime editor at Keyboard magazine, a contributor to Electronic Musician, Mix, and other popular magazines. In this video, he gives us an overview of the modular synth he’s been building and demonstrates a four-part multi-timbral patch. In the upcoming parts 2 and 3, we’ll take a closer look at the individual modules used in this patch. Incidentally, he’s also an award-winning science fiction author. We think this patch and his rig is pretty sci-fi too!