Category Archives: mixer

A to Z of Studio One – G is for GROUPS

While Folder Tracks are a great way to visually organize, edit and route multiple tracks – especially in large sessions, Groups can be useful to group multiple tracks together so that any edits done to an Event on one track in the group are automatically done to all Events for each track in that group – without adding another track in the Tracks List. The question may arise “Ok, but I can edit all events in a Folder Track as well, right?” My answer would be “Yes, thats true. Grouping is just a different workflow and might suit some users better than Folder Tracks.” 

Ok, lets dive in and have a look, shall we?

Edit Groups

For example, you may wish to group all of your percussion or drum tracks together so that when the events are cut and moved, the relative timing between the tracks remains intact. 

Here is how:

  • Select multiple Tracks/Console Channels you want to group. 
  • [Secondary]/[Control]-click on any of the previously selected Tracks/Console Channels.
  • Choose Group Selected Tracks from the pop-up menu (context menu).

When quantizing or slicing multitrack audio, it is important that all edits are performed across every track in a way that preserves the phase relationships. This is referred to as phase-coherent editing. In Studio One, all that is required to ensure this happens is for the tracks to be grouped. Once the tracks are grouped, Studio One takes care of phase coherence for you.


All the tracks will now be part of a new Edit Group. While Edit Groups are automatically named based on the order they are created and shown as Group 1, Group 2 and so on, you can easily rename them via the Edit Group selector box below the track name (adjust your track height if you can’t see that!). Have a look at the “Rename Group” .gif animation.

To rename a Group

  • Navigate to the Edit Group selector box (adjust your track height if you can’t see that!) or the Track inspector.
  • Choose Rename Group.
  • Enter a name for the Group and hit [Enter] or click OK.

You can always add tracks to existing Groups

Add Tracks to Group - Arrange View

Add Tracks to Group – Arrange View

  • Navigate to the Edit Group selector box (adjust your track height if you can’t see that!) and click it.
  • Choose the Group name of choice like “perc”.

 

Certain actions like muting, soloing, and splitting events can be performed on a track within an Edit Group, without affecting the group as a whole, by temporarily suspending the group. If you want to temporarily suspend an existing Group just hold [alt]/[option] on your computer keyboard while performing an action on the track.

To dissolve or un-group an existing Group 

  • select the grouped Tracks/Console Channels.
  • [Secondary]/[control] – click on any of the selected Tracks/Console Channels.
  • Choose Dissolve Group from the pop-up menu (context menu) or use the corresponding Keyboard Shortcut.

Keep in mind: If you dissolve a Group the name of the Group will vanish!

 

Here a last quick reference from the Studio One manual

When a channel is placed in a Group, its fader will be linked to the faders for all other Tracks in the Group, so that all of the faders will move when any of them is moved. The movement of faders in the Group will be relative to one another, maintaining the correct dB value relationships among the faders. Note that Channel Pan is not affected by grouping, as channels within a group are very often panned separately.

Solo, Mute, Record Enable, and Monitor Enable controls will also be linked for all channels in a Group. No other aspect of the channel in the Console is affected by grouping.

Instrument Tracks in the Arrange view have no direct representation in the Console. The audio outputs of the virtual instruments to which they are routed will have channels in the Console. It should be noted, however, that grouping Instrument Tracks in the Arrange view only affects editing those Tracks and has no effect on the Instrument Channels for the virtual-instrument audio outputs. 

KV Gear Vixen at Knobcon 2017

KV Gear is known for making little tabletop stands that make the lives of synth enthusiasts easier. They put small synths at an angle for easy knob-twiddling, and some stand-rack combos can gang synths such as the Korg Volca series or Roland Boutique series together.

Following up on this philosophy, at Knobcon 2017 they showed a protoytpe of a mixer that fits into that stand concept: the Vixen. It’s intended to mix Korg Volca synths, as well as provide power distribution to all of them, much like a guitarist would use a central power distro on a heavily populated pedalboard.

Mike Rafferty of KV also showed us a concept for a frame which can gang four or six Korg Volcas together. All in all, it makes us wonder if something similar to the Vixen is in the offing for the Roland Boutique series. If it is, we’ll be the first to know. Which means, so will you!

PreSonus Announce StudioLive Classic 16.0.2 With USB 2.0 Support

Studio+Live+Classic+USB

PreSonus the maker’s of Studio One, have just announced an updated version of the Studio Live Classic 16.0.2 Mixer – swapping out firewire connectivity for USB 2.0.

Here’s what they have to say;

“When you’re mixing a live event or have an artist in the studio, you need to be able to work quickly. The StudioLive® 16.0.2 USB’s familiar, easy-to-use interface keeps all critical controls visible and accessible —not buried in menus or layers. Our design philosophy is simple: One fader for every mono or stereo channel; one output for every bus. Add to that easily accessed, color-coded function buttons; rotary trim controls; and clearly labeled, individual knobs for EQ and dynamics processing. Aux sends have their own physical controls. Every channel has a big, bright meter display. But don’t let the analog feel fool you: The StudioLive 16.0.2 USB offers the power of modern digital mixing, multitrack recording, wireless remote control, and more.”

Compatibility & System Requirements

Computer system requirements:

Below are the minimum computer-system requirements for UC Surface.

Apple iPad

  • iOS® 9.3 or later
  • Recommended: iPad® Air, iPad Air 2, iPad mini with Retina display, iPad (4th generation), iPad Pro
  • Also supported: iPad mini, iPad mini 2, iPad mini 3, iPad mini 4, iPad (2nd generation), iPad (3rd generation)

Android

  • Android™ tablet running Android 5.0 (Lollipop) or higher
  • Minimum screen resolution of 1024×768

Mac

  • Mac® OS X 10.8.5 (Snow Leopard) or later
  • Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)
  • 4 GB RAM (8 GB or more recommended)

Windows

  • Windows® 7 Service Pack 1 + Platform Update x64/x86, Windows 8.1 x64/x86, or Windows 10 x64/x86
  • Intel Core 2 Duo processor (Intel Core i3 processor or better recommended)
  • 4 GB RAM (8 GB or more recommended)

Mac and Windows Systems

  • Monitor with 1366×768 resolution
  • Wired or wireless network connection
  • Internet connection

Digital Audio

  • Host InterfaceUSB 2.0
  • ADC Dynamic Range (A-wtd, 48 kHz)118 dB
  • DAC Dynamic Range (A-wtd, 48 kHz)118 dB
  • Internal Processing32-bit, floating point
  • Sampling Rate44.1, 48 kHz
  • A/D/A Bit Depth24 bits
  • Reference Level for 0 dBFS+18 dBu

Other than the above, it doesn’t look like too much has changed in the way of the ‘Tech Specs’ with the exception of now having the choice for USB 2.0 vs Firewire. Needles to say, this may be a very attractive solution for those in search of a Mixer that can also double as a USB Audio interface when working at 44.1/48kHz.

For more information, and the full set of details on this updated USB 2.0 version of the StudioLive 16.0.2, be sure to head over to the PreSonus website.

PreSonus Announce StudioLive 32 – Digital Mixer

PreSonus, the makers of Studio One, have announced a new digital mixer the StudioLive 32. A powerful new digital mixing console with 40 total inputs and a vast array of other features to appeal to the live market.

In short it offers the following features;

  • Fully recallable, 32-channel digital mixing console
  • 40 total inputs, including 32 input channels (16 mic, 16 mic/line, 1 Talkback) with recallable XMAX preamps
  • 33 touch-sensitive, motorized faders (32 channel, 1 Master)
  • 16 FlexMixes (Aux mixes, Subgroups, or Matrix mixes)
  • 4 dedicated subgroups
  • 4 internal effects buses
  • Three types of multitrack recording: to onboard SD Card recorder, 40×40 USB interface, and 55×55 AVB interface
  • Complete solution: Includes UC Surface 2 touch-countrol software for Mac, Windows and iPad; Capture™ live-recording software and Studio One® Artist DAW for Mac and Windows; compatible with free QMix-UC® personal monitoring control for iPhone®/iPod® Touch, and Android™

The Most Powerful Mixer In Its Class

PreSonus are saying this of the mixer;

The StudioLive® 32 digital console/recorder is by far the most powerful mixer in its class. The result of nine years of R&D, our third-generation StudioLive mixer is fully recallable, with 33 touch-sensitive, motorized faders and 33 recallable XMAX preamps. Yet despite its extensive features, the StudioLive 32 actually improves upon PreSonus®’ legendary ease of use while letting you customize its workflow and operations to fit the way you work. The coveted StudioLive sound is better than ever, including all-new Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, onboard multitrack Capture™ recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that’s equally formidable in live and studio applications.

Full information on the new StudioLive 32 Digital Mixer will be unveiled on October 20th.

How To Achieve a 1:1 Parity Between The Arrange Window & Console With Multi-Out VST’s In Studio One

Studio One makes working with Multi-out VST’s extremely flexible & easy, with its “explode pitches to tracks” and “transform to audio track” options, but for those users coming from other DAW’s such as Pro Tools, there can be a disconnect at times with the lack of parity between the console and arrange window.  

What do I mean by this? Simply put, that if one enables additional VST outputs that show up in the console, that they would expect they also have their own track in the arrange window. But then again, this could simply be a byproduct of my brain being hard wired to Pro Tools for 15+ years! 

Having said that, I must give credit where credit is due, as PreSonus seems to do a really amazing job at giving users various different options to accomplish a task. ie: For those who wish to work the same way they have since v1, they can continue to do so, and for those who wish to have a bit more customized control, well, its there if you need it. There’s usually always multiple different ways to get the job done in Studio One, and that’s one of the reason’s that I love the program so much.

I’ve seen this topic come up a couple times in the main PreSonus Studio One Facebook group, so I thought I would do a video for those of you out there who would like to see a perfect 1:1 ratio of tracks in the arrange window vs the console.

As a side-note, if this seems like a lot of work, Id just like to add that it’s easy enough to simply do this once, and make it part of your songwriting template if you prefer to work this way. Having the ability to keep your tracks as MIDI, and access all their automation, inserts, and sends from the arrange window can come in handy. Not to mention, the export stems option, is a perfect match for this workflow.

What about you? Do you feel the need to have a perfect parity between the Arrange Window & Console? For me, I guess its just what Im used to! But please feel free to share you thoughts below, as I’d love to hear the different opinions out there!

Cheers, Marcus

PreSonus Announce StudioLive RML-series Rack-Mount Digital Mixers – Add Line Inputs

presonus-studiolive_rml32ai-front

Our friends at PreSonus, the makers of Studio One, have announced StudioLive RML-series Rack-Mount Digital Mixers with added Line Inputs

PreSonus® has released two new StudioLive RML-series models that offer line-level inputs, in addition to the XLR mic inputs found in the RM series. Otherwise, the new RML-series and the RM-series mixers are identical, with the same recallable XMAX preamps and up to 96 kHz operation.

Designed for live-sound mixing and studio recording, StudioLive RML16AI and RML32AI mixers provide 32 internal channels and 25 buses, a 52×34 FireWire 800 recording interface, AVB Ethernet networking, and Fat Channel signal processing on all input channels and all buses, including a 4-band parametric EQ, compressor, gate, and limiter.

You can control StudioLive RML mixers with UC Surface touch-control software for Mac®, Windows®, and iPad® and with the StudioLive CS18AI AVB control surface, which provides motorized faders. Combine hardware and software control to meet your individual needs.

“With the new StudioLive RML mixers’ line inputs, you have more flexibility both in the studio and on the stage,” comments PreSonus Senior Product Manager Ray Tantzen. “With studio quality, 96 kHz, Burr-Brown converters and integrated preamp and Fat Channel control from Studio One 3.2, RML mixers make great audio interfaces, in addition to unrivaled mixers.”

Using AVB Ethernet networking, you can cascade any two StudioLive RML and RM mixers to create larger mixing systems. Combine a 16-input mixer with a 32- input mixer for a 48-channel mixing system or two 32-input mixers for a 64- channel system. Both mixers in the expanded systems can be controlled from a StudioLive CS18AI, from UC Surface, and from Studio One®.

A Stage Box mode lets you use StudioLive RML mixers as remote I/O devices in conjunction with StudioLive AI-series consoles. You can use the RML as simple I/ O, bypassing the internal mixer, or as a monitor mixer and remote I/O.

In addition to UC Surface touch control software, these rack-mount mixers come with tightly integrated CaptureTM recording software for Mac® and Windows®, with true Virtual Soundcheck mode; and Studio One® 3 Artist DAW for Mac and Windows. PreSonus’ free QMix®-AI aux-mix control software for iPhone®/iPod® touch enables musicians to control their own monitor mixes.

With a remote stage-box form factor, these mixers are built to withstand road abuse. The 3U rack-mount RML16AI provides 8 locking XLR mic inputs and 8 combo locking XLR mic-1⁄4” TRS line inputs, each with a recallable XMAX Class A preamp, as well as 8 XLR line outs and 3 main outs (left, right, and mono/center). Similarly, the 4U rack-mount RML32AI offers 24 locking XLR mic inputs and 8 combo locking XLR mic-1⁄4” TRS line inputs, 16 XLR line outs, and 3 main outs.

Other features include front-panel input signal-present and clip LEDs for monitoring levels and rear-panel mirror of the line outputs on a DB25 connector—perfect for connecting to wireless in-ear systems. The rear panel contains an option slot that comes with two FireWire 800 ports, an AVB Ethernet networking port, and S/PDIF I/O. Alternatively, the slot can accept an optional DanteTM card.

For more information, please visit www.presonus.com/products/mixing-systems

PreSonus Announce StudioLive AR USB Hybrid Mixers

StudioLive AR Mixers

PreSonus, the makers of Studio One, have announced a new series of mixers aimed at both live and studio, the PreSonus StudioLive AR USB Hybrid Mixers.

3 Different PreSonus StudioLive AR USB Hybrid Mixers

The series includes three models: the 18- channel StudioLive AR16 USB, 14-channel StudioLive AR12 USB, and 8-channel StudioLive AR8 USB.

StudioLive AR USB mixers are equipped with a USB 2.0 audio interface that can capture all input channels, plus the main mix, to a Mac or Windows PC, with 24- bit, 96 kHz quality. As with all PreSonus mixers and interfaces, StudioLive AR USB mixers are tightly integrated with state-of-the-art recording software. Record with PreSonus’ CaptureTM live-recording software, then edit in award-winning Studio One® 3 Artist DAW (recording and production software); both are included free.

For applications where connecting a computer is inconvenient, every StudioLive AR USB mixer comes equipped with an onboard stereo SD recorder that lets you record the main mix without a computer—just hit Record and go. You can also use the SD recorder to play up to 32 GB of MP3 and .WAV files for hours of program music or backing tracks without needing a computer.

PreSonus Super Channel

The new hybrid mixers feature the PreSonus Super Channel, which allows you to connect four stereo analog and digital sources at once, enabling you to use the mixer with high-tech devices. Plug a media player into the Super Channel’s unbalanced RCA and 1/8-inch stereo inputs and play stereo audio from the onboard SD recorder or from your USB-connected Mac or Windows PC. Use onboard Bluetooth 4.1 to pair your phone to your StudioLive AR mixer and instantly have wireless access to your music library for break music, backing tracks, or ear-training. Have a song you want the rest of the band to learn? Pair your phone and start rehearsing!

StudioLive AR USB mixers are packed with the connections and features needed to mix and record live, in the studio, and in rehearsal, including Class A mic preamps, two instrument inputs, three-band semi-parametric EQ, pan, mute, and PFL solo. In addition to the main outputs, you get monitor mix outputs with dedicated buses—great for feeding stage wedges, a headphone amp, or an in- ear system. Since the StudioLive AR USB is also a studio mixer, you get control- room outputs with level control to feed studio monitors.

Built In Effects

Each StudioLive AR USB mixer has an internal stereo effects processor with 16 presets, including an assortment of room, hall, and plate reverbs; chorus and delay effects; even a preset that emulates an acoustically treated studio room to provide a warmer, more intimate tone. A dedicated effects return, complete with master level fader and monitor sends, lets you adjust the amount of the effects in your main and monitor mixes. You can even bypass the effects with an optional footswitch.

Pricing And Availability 

All models are expected to be available in the third quarter of 2016, with expected MAP/street prices of $599.95 (AR16), $499.95 (AR12), and $299.95 (AR8).

For more information, please visit www.presonus.com/products/studiolive-ar-usb- mixers

PreSonus StudioLive CS18AI – A Users Poll

PreSonus StudioLive CS18AI

Presonus released the Studiolive CS18AI some time ago now, so we are launching this poll to see how community members are getting on with it.

The great thing about the Studiolive CS18AI is that it not only works with Studio one software it also works their StudioLive AVB Mix Systems. In this poll we are interested how Studio One users are finding the Studio one integration with the unit.

Take our poll, there won’t be an answer to cover every eventuality so sorry if you feel missed. Of course as well as taking the poll please leave your comment about your experiences at the bottom.

Byron Santo Talks StudioLive AVB Versatility On Video

Byron Santo, FOH engineer with band Souled Out, talks about his experience in this short video created by the team at PreSonus.

Presonus Announce New StudioLive AVB Mix Systems

PreSonus®, makers of Studio One, today unveiled its new StudioLiveTM AVB Mix Systems, which combine one or two StudioLive RM-series rack mixers, a StudioLive CS18AI Ethernet/AVB control surface, and integrated control, recording, and production software. Scalable, fully recallable, networked over AVB Ethernet, and tightly integrated with included software, the StudioLiveTM AVB Mix Systems put your I/O in an onstage, rack-mount mixing system with an integrated recording interface, Wi-Fi, and Ethernet networking, while providing an advanced control surface at front-of-house with 18 touch- sensitive, motorized faders and 4×2 I/O.

Four systems are available: The StudioLive AVB 16AI Mix System, with one StudioLive RM16AI mixer; StudioLive AVB 32AI Mix System, with one StudioLive RM32AI; StudioLive AVB 48AI Mix System, with one of each RM model, cascaded to form a 48-input, 64-channel system; and StudioLive AVB 64AI Mix System, with two cascaded StudioLive RM32AIs for a 64-input system. You also can start with a single-mixer AVB Mix System and expand it later by cascading a second RM-series mixer. Both mixers in a cascaded AVB Mix System can be controlled from the StudioLive CS18AI and from UC Surface touch-control software.

Equipped with 100 mm, touch-sensitive, motorized faders and AVB networking, the StudioLiveTM CS18AI control surface provides a compact, intuitive mixing solution for StudioLive RM32AI rack-mount digital mixers and for Studio One® 3 digital audio workstation, which is included with all AVB Mix Systems. The CS18AI and RM mixers connect to the network with CAT5e or CAT6 Ethernet cable, eliminating the need for cumbersome analog or digital snakes and stage boxes.

StudioLive AVB 64AI Mix Systems are tightly integrated with an entire suite of state-of-the-art software, including UC Surface mix-control software for Mac, Windows, and iPad®; QMixTM-AI monitor-mix control app for iPhone®/iPod® touch; CaptureTM live recording software; and Studio One Artist. It adds up to a powerful mix control system with a fast, intuitive workflow and the latest networking technology. 

StudioLive AVB Mix Systems Highlights

  • Fully recallable 32-channel, 25-bus digital mix system 
  • 32 XLR inputs with recallable XMAX™ Class A mic preamps and 16 XLR line outputs (RM32AI) 
  • 32 internal channels 
  • 25 mix buses 
  • 16 aux mix buses 
  • 3 main mix buses (left, right, mono) 
  • 4 internal FX buses (2 reverb, 2 delay) 
  • Stereo solo bus 
  • Fat Channel signal processing on all input channels and all buses, with 4-band parametric EQ, compressor, gate, limiter, and more 
  • 18 touch-sensitive, motorized faders (CS18AI) 
  • AVB/Ethernet connectivity 
  • 52×34 direct digital FireWire recording interface 
  • UC Surface™ battle-ready, live mixing and control software (Mac/Windows/iPad) 
  • Windows 8 multi-touch-compatible for large touchscreen mixing 
  • QMix™-AI personal monitoring control app for iPhone®/iPod® touch 
  • Complete solution: Includes Capture™ live-recording software and Studio One® 3 Artist DAW for Mac and Windows and Nimbit® account for online music promotion and distribution