Category Archives: Effects

How To Get Great Guitar Tones Using The Free Plug-ins In Studio One

It’s highly likely that if you are going to be using the free version of Studio One, Studio One Prime, that you are going to be wanting to lay down some guitars. The great news is that Studio One Prime comes with some great free plug-ins that can help you get a huge variety of guitar tones.

Studio One Prime includes RedLightDist, a hugely flexible plug-in that features everything from subtle clipping right through to outright destruction and a limited version of Ampire, the guitar amp and cab plug-in.

For the two examples I wanted to show both subtle guitar clipping as if the guitar is going through a combo and then great distortion effects that are possible by combining the plug-ins.

The best news is that I’m not a great guitar player, so just imagine what you can do if you care an axe fiend… over to you!

Clean Guitar With Bite

In the first example I’ve used a Telecaster with Humbucker pickups in the centre position – I’ve simply added some RedLightDist to add character to the sound as it is being connected directly to the audio interface (DI). I’ve included the images to show you the settings in both the first and second example. 

In the audio example the guitar starts off just with the DI sound and then the RedLightDist fades and then back out to demonstrate how using the Mix control can blend the sound to taste.

Guitar With Distortion

In the second example I’ve use the same Telecaster with Humbuckers but in the rear position. I’ve used the RedLightDist to create the Distortion and then used the Cabinet only on Ampire to create a cab setting and warm the sound up. Without the cabinet it sounds like a distortion pedal but with it you get a nice big round distortion without the fizzy top end.

In the second audio example the guitar starts off just with the DI sound and then the RedLightDist and Ampire cut in we then bypass and then back again. Huge difference!

Studio One Mix Engine FX – Passthrough Mode Explained

PreSonus Studio One has brought many new features over the numerous versions. However there’s one that really stands out when it comes to re-defining the way that users are able to work in their DAW – being the Mix Engine FX plug-in paradigm that was released along side Studio One 3.2.

As of the time I’m writing this article, we currently have 3 varieties to choose from:

  1. The Console Shaper 
  2. CTC-1 Pro Console Shaper
  3. Softube Tape

As we have already covered the above 3 in great detail, if this is something that’s completely unfamiliar to you, feel free to check out the links above for more information. In fact, we’d encourage you to check them out regardless, if the whole concept of Mix Engine FX still doesn’t quite register.

But while on the topic, one area that seems to come up again & again with respect to Mix FX is the “Passthrough” Mode located in the top right of any Mix Engine FX plug-in GUI as seen below.

Mix+Engine+FX+Passthrough

Developing a solid grasp & understanding of what the Passthrough Mode actually does when working with Mix FX can be really helpful in fully understanding how to maximize their use. In the above video, Marcus Huyskens gives a detailed demonstration of what Passthrough Mode does, how it works, as well as some tips for understanding the signal flow for processing when using Mix Engine FX in your Studio One Productions.

Re-Amping Guitars With Line 6 Helix

In This video Paul Drew explains how to Re-amp using the Line 6 Helix and Studio One.

Helix has the most flexible audio routing ever seen on a guitar processor. Use the four effects loops to connect four separate pedal chains, or split them up and use them as freely-assignable inputs and outputs. In combination with four discrete signal paths, this means that you can process multiple instruments at once, send wet and dry signals to different places, and create large integrated systems that take advantage of both digital and analog I/O at the same time.

Video Review – ADAPTIVERB By Zynaptiq

Courtesy of our sister site, in this video review Pro Tools Expert team member Dan Cooper takes a close look at a new reverb plug-in called ADAPTIVERB by Zynaptiq. 

We feel ADAPTIVERB is a new approach to the reverb plug-in category. The team at Zynaptiq claim this to be the perfect reverb as it retains space in mixes whilst providing stunning sounding reverb effects and we have to agree, the reverbs sound outstanding.

ADAPTIVERB also performs and feels more like a virtual instrument than a reverb plug-in.

Watch the video review to hear how it performs on a piano, acoustic guitar and electric guitar.

We recommend that you download the 30 day free trail. Let us know what you think of ADAPTIVERB in the comments below.

ADAPTIVERB is available at a very special introductory price of $149 (40% regular $249) – ending 30th September 2016.

Main Features

  • Endless scope for creating beautiful sounding reverb effects suppose to emulating a physical room sound
  • X-Y Control
  • Advanced options under “Fine Tune”
  • A wide selection of bundled presets
  • Well designed GUI in keeping with other Zynaptiq plug-ins

Video – Using The Brainworx Chandler GAV19T On DI Guitar

In this free tutorial, Paul Drew demonstrates how to use the Chandler GAV19T by Plugin Alliance on a DI guitar.

Show & Tell Review UAD Chandler GAV19T

In this video James takes a look at the Chandler GAV19T guitar amp plugin. He shows you around the amp and shows how real this thing sounds.

More On The UAD Chandler GAV19T

The Chandler GAV19T was inspired by classic British amps like Selmer, Vox and Marshall but with new added features that make it incredibly flexible. From the bias control that affects only the preamp tube bias, to the drive section that provides a treble boost, a full range boost and two flavors of mid boost for just the power amp section, to the Baxandall style tone controls, this amp’s palette runs from clean to crunchy to shred-worthy chaos.

Brainworx, in partnership with Chandler Ltd. has faithfully recreated this special amp as a native plugin; so now you can record killer sounding guitar tracks through your interface while a baby is sleeping next door, or quickly bring a weak sounding guitar track in your mix up to snuff. The 75 impulse responses, developed at the Brainworx studio, using their vast array of speaker cabinets, mics and outboard gear, instantly give you sounds it would take an experienced engineer in a state of the art room all day to get

The plugin version also includes some extremely useful features not found on the original amp including a noise gate, delay and power soak. 

Video – Using Brainworx Refinement Plug-in On A String Section

In this free tutorial, Paul Drew demonstrates how to use the Plugin Alliance Brainworx BX Refinement on a string section.

The Harshness Control allows you to eliminate unpleasant high frequencies from complex signals and mixes. bx_refinement’s intuitive controls let you adjust various aspects of the sound with ease. Based on M/S (Mid/Side) processing, it imparts a tube-like analog smoothness and is a boon for mix engineers looking to tame unpleasant digital harshness on individual tracks.

Add Tube-like Tone

bx_refinement is not an emulation of a certain tube sound. Instead, it combines several characteristics found in ultra-musical tube-based equipment to give you an effective tool that is easy to operate. As you tweak the bx_refinement controls, the tube graphic gives you precise visual feedback showing you how intensely the process is being applied. Simply look at the tube’s glow and you’ll see how much, how fast, and how dynamic the plugin is affecting the signal.

Easily Target Problem Areas

With powerful, simple controls, bx_refinement allows you to quickly identify and discard offending frequencies. The core of bx_refinement is its Damping Control, which features a dynamic peak band EQ to reduce harsh frequencies. The Solo Filter button lets you listen to only the frequencies you’re removing, while the Soft/Hard function sets the character of the processing.

How To Use The Brainworx bx_bluechorus2 From Plugin Alliance

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In this free tutorial, Paul Drew shows how to get different chorus sounds out of the Brainworx bx_bluechorus2 from Plugin Alliance.

The Brainworx bx_bluechorus2 Chorus from Plugin Alliance is an exacting plugin emulation of one of the most popular chorus pedals ever made: The Boss® CE-2®. Beloved for its rich, liquid tone and super simple operation, this chorus pedal has been used on many, many hit records over the last four decades.

How To Use The Maag Audio EQ4 From Plugin Alliance

In this free tutorial, Paul Drew demonstrates this highly musical EQ on a lead vocal.

The Maag Audio EQ4’s made by Plugin Alliance unique design allows for exceptionally low phase shift across all EQ adjustments, which helps maintain the integrity of your mix’s original sound while enhancing the “Airy” frequencies. The AIR BAND® interacts with the 5 band pass EQs to tonally sculpt your tracks from top to bottom with unrivalled transparency and top end presence.

Crafting Guitar and Bass Tones With Plugin Alliance

In this free video tutorial, Michael demonstrates using the bx_bassdude, bx_bluechorus2, bx_greenscreamer, bx_yellowdrive, bx_distorange and bx_console from Plugin Alliance to craft guitar tones in the box.

How To Use The Brainworx bx_greenscreamer From Plugin Alliance

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In this free video tutorial, Paul Drew demonstrates the plugin emulation of his favourite guitar pedal of all time. The Brainworx bx_greenscreamer Overdrive from Plugin Alliance is an exacting plugin emulation of the classic Ibanez™ TS808® Tube Screamer®, one of the most popular overdrive pedals ever made. Although most closely connected with Stevie Ray Vaughan, guitarists from Metallica’s Kirk Hammett, to Steve Vai & John Mayer have made this classic pedal a key component of their tone.

For more info on the Brainworx bx_greenscreamer click here.