Category Archives: daw

What’s New in Propellerhead Reason 10

With any major left-of-the-decimal update, not to mention to nice round number like 10, you’d expect the news to be big. Reason 10 is here, and you’d be correct. Over the past few years its has gone from it’s own self-contained music production system that the Propellerhead folks were eager to remind you “is not a DAW” to something that performs all the functions of a DAW, such as multi-track audio recording and (as of the recent 9.5 update) VST plug-in support. However, what’s kept its loyalists, well, loyal is that it has retained its streamlined approach as its appearance of a virtual studio rack. Plus, they didn’t name it Reason X and tell us to pronounce it “ten.” 

The version 10 update has mainly to do with virtual instruments. These include:

Europa Shapeshifting Synthesizer: Europa is a dynamically generated wavetable (think PPG wave-like textures) with extensive modulation options, surgical spectral processing options, and even the ability for you to draw your own waveforms.

 

Grain Sample Manipulator: Granular synthesis is the practice of zooming way in on samples, cutting them up into tiny bits, rearranging those bits, and otherwise manipulating them to create new and interesting sounds. Drop any sample into Grain and explore the endless sonic variations you can create with Grain’s selection of algorithms, ultra-flexible modulation, routing and effects. 

 

Klang Tuned Percussion: Made in collaboration with the meticulous sampleware wizards from SoundIron, Klang includes ten high-quality sampled melodic percussion instruments.

Pangea World Instruments: Also from SoundIron, this is a collection of diverse plucked, strummed, and struck instruments from all over the world.

Radical Piano: This began life in Propellerhead’s dedicated Rack Extension format, and established that dwellers in the Reason universe did not have to want for a “serious” virtual piano. It uses a combination of sampling and physical modeling, covering different piano conditions and characters as well as a plethora of virtual microphone positions.

Rounding out the complement of instrument and effects are Humana, a vocal and choir library from SoundIron; over 3GB of new drums and loops; and the effect plug-in Synchronous Modulator, a tempo-synced block of time-based modulation effects that can be driven by a sidechain input.

The final release date is October 25, 2017. Those who purchased Reason 9 after September 1 are eligible for a free upgrade. If you own either Reason 9 or Reason Essentials 9, you may also be able to beta-test 10.

Hit the product page for audio examples of all the instruments discussed here, system requirements, plus more pricing info and the beta test signup.

Tutorial – Crossfade Four Audio Sources in Propellerhead Reason

Reason is an incredibly powerful music-making platform unto itself. This expanded greatly with the addition of the Rack Extension format for third-party virtual instruments and audio effects in 2012, and again earlier in 2017 with the announcement of VST plug-in support in Reason 9.5. 

In this quick tip, synthesis guru Jim Aikin explains how to use a Rack Extension – a $25 one called CV Mutant – to crossfade between four audio sources. (Natively Reason provides for crossfading between two.) The sources are four instances of Dr. Octo Rex, each running a different drum loop, and the crossfading is quite smooth. 

Another application would be to set up four different synths and use CV Mutant to morph between them, creating a very flexible “oscillator” that can change its character in sync with your beat and/or with whatever envelope you program in CV Mutant. 

We’re planning to see a lot more great tips from Jim in the future, so stay tuned!

Ableton Loop 2017 – Full Line -Up Announced

Ableton has announced the line up for Ableton Loop 2017. Described by Ableton as ‘A Summit for Music Makers. Loop is three days of discussions, performances, presentations, studio sessions, installations and interactive workshops aimed at exchanging ideas at the cutting edge of music, technology and creative practice. Bringing together artists, technologists, educators and other creative thinkers, Loop is a collective exploration of what it is to make music today and what it could be tomorrow.’

The program includes discussions, hands-on workshops and studio sessions. An evening program includes performances and a chance to meet like minded people.

Ableton Loop 2017 Program Highlights

Presentations from Goldie, Ben Frost, Chloe + Halle, Katie Gately, Laurel Halo, Machinedrum, Nosaj Thing, Daito Manabe, Susan Rogers, Tennyson, William Basinski

Performances at Funkhaus across the weekend include: Caterina Barbieri, Chloe + Halle, Dedekind Cut, Jenny Hval, Kaki King – The Neck is a Bridge to the Body, K Á R Y Y N, Khaled Kurbeh &, Raman Khalaf Ensemble x Oriel Quartett, Laurel Halo x Eli Keszler, Myriam Bleau – Soft Revolvers, Nosaj Thing x Daito Manabe, Sorne, The Nile Project, Tennyson, William Basinski, Visible Cloaks

The lists above are just the tip of the iceberg with more discussions and workshops than you can shake a stick at.

Check out the full line up for Ableton Loop 2017 and register here

ROLI Gains Tracktion, Bundles Waveform DAW and Seaboard Instruments with Full MPE Support

Tracktion started out life as an alternative music-making program under the auspices of Mackie. It was (and is) affordable, easy to use, and aimed at the needs of music producers who think in terms of grooves, clips, loops – repeatable quanta of music, essentially. The company has long since been independent, and also markets the excellent soft synths Biotek and Waverazor. Tracktion itself has evolved into Tracktion Waveform, a full-featured digital audio workstation that, for a stand-alone price of $99, offers enough power to compete with the big boys.

The series of Seaboard instruments from ROLI has been gaining, um, traction over the past couple of years as an alternative to the conventional musical keyboard. While they retain a 12-note layout, their textured “KeyWave” surface access high-resolution sensor technology that provides for a range of expressive gestures that go beyond regular black-and-white keyboards. These include not just velocity and after-pressure, but side-to-side finger movement to create anything from subtle vibrato to more dramatic portamento pitch sweeps (ROLI calls this motion “Glide”), release velocity (“Lift” in ROLI parlance), and on the Seaboard Rise and Block keyboards, Y-axis finger position along a key (“Slide”). Most importantly, they allow each expressive motion (“dimension of touch”) on a polyphonic, per-note basis. That means a practiced Seaboard player could be, for example, modulating different filter cutoffs on different notes within the same chord; applying vibrato to one note while leaving the other static; and much more. Seeing what a player such as prog icon Jordan Rudess or ROLI’s demo guy Marco Parisi can do with one of these instruments is just insane.

What do these two things have to do with each other? Well, all this expressiveness is implemented via a standard called MIDI Polyphonic Expression – MPE for short. It’s a clever means of using the existing MIDI spec (yes, the one that’s been around since 1983) over multiple MIDI channels at the same time in order to achieve the per-note messaging. Of course, this means your soft synth or host program has to know how to listen to MPE on the receiving end, and the latest version of Tracktion Waveform happens to be adept at doing so. This greatly expands the range of virtual instruments you can fully exploit through a Seaboard.

That’s why ROLI is now bundling Tracktion Waveform with all Seaboard instruments, which are:

  • Seaboard Grand: The first Seaboard and the only one that includes an internal, hardware-powered version of ROLI’s Equator soft synth. Being first, however, it lacks the “Slide” Y-axis sensing of the latter two instruments. (Fun fact: it’s the one Ryan Gosling played in the movie La La Land.)
  • Seaboard Rise: The second-generation Seaboard, which added the Slide dimension as well as sensitivity sliders and an X/Y touchpad to the left of the Keywave surface.
  • Seaboard Block: A mini-Seaboard for use with ROLI’s modular Blocks controllers, which include multi-use lightpads, transport controls, and other useful modules. The hook is that the same magnetic connectors that let various Blocks snap together physically also let them communicate electronically. This lets users create “Lego”-like setups customized for how they produce music. 

So, the pitch is, buy a Seaboard and get Tracktion Waveform thrown in at no extra cost. ROLI posted this video explaining how multi-note expressive data can be played in from a Seaboard Block and then precisely edited within Tracktion Waveform.

Presumably, Tracktion Waveform can likewise interpret playing from other MPE hardware controllers, such as Roger Linn’s LinnStrument and the Haken Continuum. For more info about the bundle from ROLI, go here.