Category Archives: Basic

A to Z of Studio One – G is for GROUPS

While Folder Tracks are a great way to visually organize, edit and route multiple tracks – especially in large sessions, Groups can be useful to group multiple tracks together so that any edits done to an Event on one track in the group are automatically done to all Events for each track in that group – without adding another track in the Tracks List. The question may arise “Ok, but I can edit all events in a Folder Track as well, right?” My answer would be “Yes, thats true. Grouping is just a different workflow and might suit some users better than Folder Tracks.” 

Ok, lets dive in and have a look, shall we?

Edit Groups

For example, you may wish to group all of your percussion or drum tracks together so that when the events are cut and moved, the relative timing between the tracks remains intact. 

Here is how:

  • Select multiple Tracks/Console Channels you want to group. 
  • [Secondary]/[Control]-click on any of the previously selected Tracks/Console Channels.
  • Choose Group Selected Tracks from the pop-up menu (context menu).

When quantizing or slicing multitrack audio, it is important that all edits are performed across every track in a way that preserves the phase relationships. This is referred to as phase-coherent editing. In Studio One, all that is required to ensure this happens is for the tracks to be grouped. Once the tracks are grouped, Studio One takes care of phase coherence for you.


All the tracks will now be part of a new Edit Group. While Edit Groups are automatically named based on the order they are created and shown as Group 1, Group 2 and so on, you can easily rename them via the Edit Group selector box below the track name (adjust your track height if you can’t see that!). Have a look at the “Rename Group” .gif animation.

To rename a Group

  • Navigate to the Edit Group selector box (adjust your track height if you can’t see that!) or the Track inspector.
  • Choose Rename Group.
  • Enter a name for the Group and hit [Enter] or click OK.

You can always add tracks to existing Groups

Add Tracks to Group - Arrange View

Add Tracks to Group – Arrange View

  • Navigate to the Edit Group selector box (adjust your track height if you can’t see that!) and click it.
  • Choose the Group name of choice like “perc”.

 

Certain actions like muting, soloing, and splitting events can be performed on a track within an Edit Group, without affecting the group as a whole, by temporarily suspending the group. If you want to temporarily suspend an existing Group just hold [alt]/[option] on your computer keyboard while performing an action on the track.

To dissolve or un-group an existing Group 

  • select the grouped Tracks/Console Channels.
  • [Secondary]/[control] – click on any of the selected Tracks/Console Channels.
  • Choose Dissolve Group from the pop-up menu (context menu) or use the corresponding Keyboard Shortcut.

Keep in mind: If you dissolve a Group the name of the Group will vanish!

 

Here a last quick reference from the Studio One manual

When a channel is placed in a Group, its fader will be linked to the faders for all other Tracks in the Group, so that all of the faders will move when any of them is moved. The movement of faders in the Group will be relative to one another, maintaining the correct dB value relationships among the faders. Note that Channel Pan is not affected by grouping, as channels within a group are very often panned separately.

Solo, Mute, Record Enable, and Monitor Enable controls will also be linked for all channels in a Group. No other aspect of the channel in the Console is affected by grouping.

Instrument Tracks in the Arrange view have no direct representation in the Console. The audio outputs of the virtual instruments to which they are routed will have channels in the Console. It should be noted, however, that grouping Instrument Tracks in the Arrange view only affects editing those Tracks and has no effect on the Instrument Channels for the virtual-instrument audio outputs. 

Studio One 3.2 – Various Workflow Improvements

In this free video tutorial for PreSonus Studio One, David Mood demonstrates some new workflow improvements in Studio One 3.2.

The Importance of Balance When Working In The Creative Industry

Working in the creative sectors or more specifically, the audio industry definitely has its Pro’s and Con’s.  On the bright side, I’d rather be doing this than anything else.  Being able to work with talented artists or on amazing projects is something I would not trade for anything in the world career wise.  Simply put, its my dream job.  Conversely, sitting in a chair for 8-12 hours per day 5-7 days a work can really do a number one’s ability to be active, and/or maintain healthy relationships & eating habits.

When I was younger, there really wasn’t much to worry about, my music/studio was my first love and had priority.  But fast forward 15+ years, and there are other factors that come into the equation ie; wife, kids, relationships – otherwise known as life.

Career

Last year was a monumental year for me career wise, I was able to achieve many of the goals that I had set, some over a decade ago, and some more recent. But, it didn’t come without sacrifice, that’s for certain. For starters, I packed on an extra 25 lbs or so!  The other thing I began to notice was the lack of flexibility left in my legs, most likely contributed to sitting for such extended periods of time.  This can tend to make playing with your kids a little hard. 🙂

Relationships/Family

With respect to relationships, I have always made sure that I made my wife & kids my priority, so the rules were always simple, from after school hours to bed time – that time is for my family.  I also try my best to not work weekends if possible. Having said that, if I am working on a huge project with upcoming deadlines those hours need to come from somewhere.  Which leads me to my next point – sleep.

Sleep

Ive always been the type of person who could function off very little sleep, 3-4 hours, or sometimes less, but lately, I’ve had the mindset that even though I can that doesn’t necessarily mean I should.  For example, towards the end of 2015, I spent about 4 months straight with my alarm set for 4:30am.  That allowed me to close off a couple big projects I was working on, but in the end, left me pretty wiped by the time January rolled around.  Now, I still wake up pretty early, but lately 6am has been early enough.  This still gives me enough time to get a head start on the day without wiping me out. But at least I know that if I have to go into crunch mode, I can.

The Balancing Act

So, whats the point here? simple, sometimes in life you have to work your tail off to get ahead, there’s no way around it, and as the old saying goes, “There’s no substitute for hard work”. But, equally important is knowing when to take a step back, give yourself a pat on the back, and realign your priorities so that the scales are a little more balanced in every aspect of your life.

At the beginning of this year I made the decision to take some time off, which to be honest was a brilliant decision.  By time off, I don’t just mean taking some time off work, I mean shutting off notifications, checking email less, no facebook or twitter – the whole 9 yards. It was more of a time for me to reflect, and set some new goals, that were less career oriented, and more about re-balancing.  I like to call it gaining perspective, or a birds eye view. Making strides in one’s career is a great feeling, but keep in mind that whenever you’ve spent a year or 2 moving mountains to push forward in one area, remember not to forget everything else that you may have swept under the rug in the meantime. 🙂

A New Perspective

So where does this leave me?  Well, I’ve introduced a realistic fitness program into my schedule, cleaned up my eating habits to be more healthy/regular, but more than that, I’ve rebooted myself with this newly gained perspective, so that hopefully, I can maintain a better balance, and be happier overall. 

Most creatives I know are workaholics, it seems to go with the territory, but as a couple colleagues of mine have said to me, you’d be surprised how much more productive you can be when you make efforts to balance everything out.  So there it is. Just some food for thought.

What about you? Any tips you have for helping to maintain a healthy balance in life as a working creative? I’d love to hear them.  In fact I’m willing to bet I’m not the only one.

Cheers, Marcus

Starting a New Song in Studio One

 

Studio One has excellent tools for recording and music production.  Those who are new to Studio One will find everything they need to get in and make killer tracks.  In this tutorial, David Mood shows us how to get started making music for the first time.

Let’s have a look at how you can start a new Song in Studio One, and what you’ll need to look out for.

It’s important to note first that „Song“ is the official term in Studio One for what is called a project or session in most other DAWs. A Project in Studio One is when you use the Mastering Suite (Project Page) to combine several Songs to an album (only available in Studio One Professional). This can cause a bit of confusion amongst new users of Studio One, since they often refer to “projects” when they actually mean a Song – so it can need a little time to get used to.

After we’ve taken that hurdle, let’s start a new Song in Studio One.

There are several ways to do this:

  • Click on “Create a new Song” or on the Song button on the Start Page
  • Go to the File menu and choose New Song
  • Or use the keyboard shortcut Ctrl/Cmd + N

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A window pops up, where you can choose your basic settings for the Song:

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Let’s have a look at the right side first:

The Song title is the current date and your name by default – you can start typing immediately to change that, no need to click in the field first.

The destination folder for saving the Song always defaults to what you have set under Options/Locations/User Data/User Data Location. Click on the button on the right to select a different folder, if you wish; note that Studio One will automatically create a folder with the Song’s title within the destination folder, so you don’t need to do that manually first.

The Sample Rate and Resolution should be chosen with care, as it’s best to leave them unchanged from start to finish – the actual values will depend on what your audio interface/soundcard permits, and your own preferences.

The Timebase determines what values will be displayed in the Timeline of the Arrange View – you can leave this as it is, together with the Song length settings, since both can be changed later at any time with no issues.

Finally, you can set the Tempo and the Time Signature of the Song, if you already know what they’ll be.  Be careful if you check or uncheck “Stretch audio files to Song tempo”. If you have this option selected, which it is by default, all audio files you import into the Song will be time-stretched to match the tempo of your Song.

On the left side of the New Song window we have the option to select a template for our Song.
Under the Styles tab we find several templates pre-created for us by PreSonus, to cover some typical scenarios. They include e.g. dedicated audio tracks with effects for different sources like vocals, guitars, bass etc., and virtual instruments, to help you get started.

Here is the Singer/Songwriter template as an example:

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But if you prefer a completely blank page, just select Empty Song, and you’re good to go.

The Interfaces tab includes templates for all of PreSonus’ audio interfaces and mixing desks, with correct routing of all their in- and outputs.

Finally, you will find your own templates under the User tab.

Now go and create your new masterpiece! 

Quick Tip: Entering Note Names & Short Forms Into Studio One Plug-ins

Here’s a nifty feature of Studio One that you might have missed so far: In every native Studio One plug-in where you can enter frequency values directly, you can enter note names instead.

This feature is very useful for plugins like the Pro EQ or the Tone Generator, but of course is not limited to only those two plug-ins.

So for example, if you want to get a value of 440 Hz, you can simply enter ‘A4’.
Sharp notes can be entered as well, e.g. ‘A#4’.

In the example below, notice how entering the value ‘g5’ directly translates to ‘784 Hz’

Entering a note name to get a frequency value.

Entering a note name to get a frequency value.

If you want to enter a flat note, you need to type its enharmonic equivalent, e.g. ‘F#3’ instead of ‘Gb3’, as the latter way doesn’t seem to work properly.

This feature is also very handy for using instead of a frequency chart. So if you needed to know the frequency of a certain note, just open the Tone Generator, and type in

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the name of the note you’re looking for – this is often much quicker to do.

Here’s one more tip, just to round it off:

You can enter values such as 2,000 Hz as ‘2k’, or type ‘10k’ to get 10,000 Hz.
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Enter '2k' to get 2,000 Hz.

Enter ‘2k’ to get 2,000 Hz.

Using The Info View In PreSonus Studio One

Studio One is full of handy little surprises, one of them being the Info View.  For those of you who have ever wondered what that little question mark is in the tool bar menu, this video is for you.  In this free video tutorial guest contributor, and friend of the Blog Don Baarns demonstrates the power of using the Info View when working in Studio One. The Info View is filled with useful tips that can help streamline the learning process for those moving over to Studio One, as well as seasoned veterans who may have been missing out on features they weren’t aware of.

For those of you who may be unfamiliar with Don, he has been doing some amazing work leading the charge, and supporting the Voice Over/Narration community of Studio One users all around the world.  Although his workflows are generally geared towards optimizing and streamlining Studio One for working with speech, he definitely has a few tricks up his sleeve that can come in handy regardless of what type of work you are using Studio One for.

Don is the owner and Admin of the Studio One Narrators & VO Users group on facebook, as well as the Audio Rescue RX: Enhance, Repair, Save, Recover Audio group.  If you are using Studio One for doing voice over/narration work, then we definitely recommend checking these groups out. 

We’re super grateful that Don has agreed to take some time out of his schedule to do some video content for our Studio One Expert community.  Thanks Don!

A to Z of Studio One: M is for Mute Tool

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We have a tendency to overlook the little things in the heat of recording, producing and mixing. Sometimes, the smallest tool can be of the most help. Such is the case with the Mute Tool in Studio One. It’s a simple tool that can be found in most DAW’s, but it’s usefulness should not be underestimated. Muting parts within a section of audio, muting individual notes within an instrument part, and muting sections of a song can be a great way to try out different arrangements without actually deleting anything.

Mute Tool – Arrange View

The Mute Tool [6] is a great tool for muting parts without having to delete them.  It works equally well on audio events, audio parts and instrument parts. Once you select the Mute Tool using [6] on the keyboard, just click on the part or event you want to mute.

Clicking again will unmute the part or event. You’ll notice that the part or even will be ‘grayed out’ and there will be a small ‘m’ at the lower left section of that event or part.

The Mute Tool can also be used to mute several events at one time. Just select the Mute Tool and drag across multiple events to mute them.  If those events are already selected, just click on any one of the selected events to mute them all.

Mute Tool – Edit View

The Mute Tool works very similarly here to the way it does in the Arrange View. Click on events to mute it. Click on it again to unmute the event.

Select multiple events (notes) with the Mute Tool to mute them all. And, of course, if you select multiple instrument tracks and enter Edit View, you can then use the Mute Tool to mute and unmute them all.

NOTE:  Be careful in Event View. The tendency (until you get really comfortable) is to hit ‘M’ to mute an event. Hitting ‘M’ in the Event View actually mutes the channel. This doesn’t really help if you’re trying to mute just one note (or group of notes) within the track.

Here are a couple of other Mute commands you may find useful:

Global Mute (this works in the Console view):      [Shift]+[Cmd]+M

Toggle Mute (this works in Event view):                [Shift]+M

Mute (this works in Track view):                               M

Also remember that you can change the key commands you currently have assigned if something else makes sense for your mute functions. I have found that the fastest way to mute and unmute events is by becoming intimately familiar with the Number [5] and [6] keys. In fact, the following number keys should be committed to memory to enhance your productivity and workflow:

In Arrange View:

[1]        Arrow Tool

[2]        Select Tool

[3]        Split (Razor) Tool

[4]        Eraser Tool

[5]        Freehand (Drawing) Tool

[6]        Mute Tool

[7]        Bend Tool

[8]        Listen Tool

In Edit View:

[1]        Arrow Tool

[2]        Split (Razor) Tool

[3]        Freehand (Drawing) Tool

[4]        Eraser Tool

[5]        Mute Tool

[6]        Listen Tool

A-Z of Studio One: L is for Loop Record Options

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Modern electronic music often relies heavily on loops to structure. Many times the drums are built from loops, basses are loops, even keyboard parts and vocals can be comprised of loops. But what about traditional music like rock, acoustic, country, folk and the like? Would these styles ever need the use of loops or looping functions like those found in Studio One? I think you’d be surprised.

Loop Recording

My 6 and 10 year olds are budding pianists. They’ve been in lessons for 1 and 3 years respectively. “Real musicians don’t use loops! “ Really? Anyone who says that has never heard a 1st, 2nd or 3rd year music student practice. The teacher breaks down songs into small chunks that they have students practice over and over…and over and over…and over. It didn’t dawn on me until trying to write an article recently that learning pieces of music (at least for a beginner to intermediate musician) often sounds like a loop-based composition. Even seasoned musicians will sometimes practice sections of a performance over and over until their fingers remember the parts, and then they move on to the next section of the song.

The same is often true for recording. Musicians want their parts to be perfect when recorded. There are two schools of thought here. One says you practice until it’s perfect and then record the song straight through. This is the traditional recording school of thought. The other philosophy is that you play a section of the song over and over until you have several takes to choose from and then move on the next section. Then, the engineer or producer can select the bits and pieces they want and comp together the best parts into one perfect performance.

Regardless of how you do it, loop recording is a power tool that is included in every DAW out there. Studio One makes loop recording easy and has different functionality depending on whether you’re recording audio or instruments. Let’s take a look at both and see what we have available.

Instrument Loop Recording

Instrument Loop Recording is, essentially, MIDI loop recording. If recording drums, your first pass might be the kick drum, the next pass – the snare; then your hi-hats and so on. This style of instrument recording is set by selecting “Loop Record Mix” in the *Record Panel. After making this selection, choose a region in the timeline and turn on looping (either by selecting it in the Transport Bar or by hitting the (/) key). This also works if you’re building up chords one note at a time or when you’re adding accents within a performance you’ve already recorded.

Set the range here by dragging the range bar.

Set the range here by dragging the range bar.

[*Note: To open the Record Panel, open the View menu and choose “Record Panel” from the menu. You can also (Shift)+(Alt)+R on Windows or (Shift)+(Option)+R on a Mac.]

The Record Panel

The Record Panel

If, however, you select “Loop Record Takes” in the Record Panel, anything you play will be recorded as a new part. When the loop starts over at the beginning, you will record a new part as though none had been recorded before. Once you’re finished recording, you can access each take by (Right)/(Ctrl)+clicking the part you just recorded. It will give you the option of choosing the take number. With this method, you can only access one take at a time. You can, however, unpack the takes to separate tracks by (Right)-clicking on the take and selecting (Unpack to Tracks).

Here’s the first pass with recording set to “Loop Record Mix.”

Here’s the second pass with recording set to “Loop Record Mix.”

In Instrument Record, there are a couple of other options you really should know about. The first one is the Undo Last Loop function. This replaces (Ctrl)/(Cmd)+X for Undo and (Ctrl)/(Cmd)+Y for Redo. Undo Last Loop will only undo the most recent notes (although it can be used multiple times). The other function is Undo All Loops. This will undo all notes and allow you to start over.

One other thing with regard to Instrument Recording in Loop Mode: Once you’ve finished recording your passes, you should have one track with lots of notes together on the same lane. Supposed they ARE drums and you want to get them each on a separate track. What do you do? Click once to hi-light the part. Then, [Right]+Click and choose “Instrument Parts” from the menu. Finally, choose “Explode Pitches to Tracks.” This will separate each pitch to its own track (although you could have simply done this by setting it up in the Record Panel under Instrument Loop Record. Just choose “Record Takes” and it will layer each take for you. The downside to this method is that you will only hear the current part you’re recording. 

Audio Loop Recording

Audio Loop Recording works similarly to Instrument Loop Recording with minor exceptions. For one…it’s audio being recorded, not instrument notes. So you can’t layer notes on top of notes. You can, however, still loop record many Takes and then comp them together later if you want.

If you open the Record Panel and select “Record Takes to Layers,” these takes are layered one on top of another. Once you’re finished recording, the layers are shown and you can comp together the pieces you want into the “perfect take” by using the selection tool.

Studio One shows the last take recorded. You can select any other take for editing by (Right)+Clicking on that event and choosing an alternate take number from the list.

Not Just For Electronic Music

As you can see, Loop Record offers more than just simple loop creation. It allows you to get the perfect take by doing it over and over until you get it right or by piecing it together from loads of different takes. It also allows you to record Instrument parts together in the same way, or layer them and build your masterpiece. How you use it is entirely up to you. So, check out the Record Panel, set up your production the way you want to work and get recording!

Deactivating Vs. Bypassing Plug-ins In Studio One

I see many people, some even well versed in Studio One, using the Activate button for plug-ins all the time, when many times they would be better off using the Bypass button. Some of them may not be aware that there is a Bypass button at all, or think it does the same as the Activate button – but there is a difference between the two, which I’ll explain in this article, and you’ll see when to best use which.

You can find the Activate and Bypass buttons on the top left of every plug-in window, next to each other.

The Activate button is a typical on/off switch. If you deactivate a plug-in with this button, it gets removed from the signal path entirely, and it no longer uses any CPU resources. Any latency the plug-in might have been causing also gets removed. It stays loaded in the RAM, however, to enable faster reactivation with the same settings. If you are unsure if you like or want to use a particular plug-in on a track, and for that reason don’t want to remove it completely, then the (De-)Activate button is the right button to use for turning it off.

The Bypass button on the other hand merely removes the plug-in’s effect from the audio path – it bypasses its processing. Its CPU and RAM usage, as well as the latency it might cause, all remain.

Now why is this important, and when does it come into play?

The typical scenario when you can benefit of using the Bypass button instead of the Activate button is when you want to audition a plug-in’s effect on a track during playback.

I guess you are all familiar with the typical clicks and pops that can occur when you “bypass” plug-ins during playback, right? That happens only, at least in Studio One, when you use the Activate button instead of the Bypass button for this purpose. I don’t know how you feel about it, but for me these clicks are very annoying and distracting when I need to concentrate on the sound.

These clicks appear because the latency of the plug-in gets removed when you turn it off (instead of bypassing it), so you basically get a short audio drop out while Studio One is readjusting the overall latency of the system. The same happens when you turn the plug-in on again (and off again, and on again, and off again,…).

You can easily prevent this from happening by using the Bypass button instead.

The Bypass button enables click-free A/B’ing of a plug-in’s effect on the sound. (Note that not all plug-ins introduce latency – thus you will not always get clicks when using the Activate button during playback.)

Another important difference between the two buttons is that only the Bypass button is automatable – for the very reasons outlined above.

The Activate button on the top left of a plug-in window corresponds to the small blue On/Off switch you have on every insert slot in the Console or the Inspector. The Bypass button, unfortunately, has no equivalent counterpart in the insert slots. You can only access it by opening the plug-in window, by right clicking on the insert slot, or clicking on the small down arrow that appears when you mouse over it.

It is a long-standing feature request by many users (me included) to have a dedicated button (and/or command) for bypassing plug-ins more easily directly from the Console. Hopefully PreSonus will answer our prayers in one of the future updates soon. And, while you’re at it, dear Studio One developers, please consider adding a possibility to bypass all plug-ins at once, too. Many thanks in advance :o)
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New Features And Changes In Studio One 3.1 – Overview

In this free video tutorial for PreSonus Studio One, David Mood demonstrates the new features and changes have been implemented in the latest 3.1 update of PreSonus Studio One.