Monthly Archives: August 2017

Which Classic Synths Does UVI Vintage Vault Emulate?

There’s a scene in Luc Besson’s film The Professional where the corrupt detective played by Gary Oldman bellows “Bring me everyone … EVERYONE!” If he’d been talking about vintage synthesizers, samplers, and drum machines that are now hunted to extinction on the used market (and usually prohibitively expensive when you find even one of them), he might have been referring to Vintage Vault 2, the updated collection from French developers UVI

UVI have always been prolific, and incidentally are the brains behind some of the virtual instruments that go with MOTU Digital Performer, such as the MachFive soft sampler. Here, they’ve outdone themselves covering 50 synths and 111 drum machines, all painstakingly multi-sampled from original hardware pieces. The whole kit and caboodle is currently on sale for US $399.

For all the usual business reasons, their product page can’t always name names about which instruments each soft synth in the package emulates, but as an independent journalist, I certainly can offer my take on what they are. So here we go:

  • Cameo: Casio CZ series.
  • Digital Synsations Vol. 2: Ensoniq Fizmo, Kawai K5000S, and Roland JD-800.
  • OB Legacy: Six Oberheim synths including OB series, Matrix-6, and Matrix-12.
  • PX Apollo: Moog Polymoog.
  • UVS-3200: Korg PS-3200.
  • UVX80: Akai AX-80.
  • BeatBox Anthology 2: Name a drum machine and it’s probably in here.
  • Darklight IIx: Fairlight CMI.
  • Digital Synsations (Vol. 1): Ensoniq VFX, Korg M1, Roland D-50, and Yamaha SY77.
  • Emulation One: E-mu Emulator.
  • Emulation II: E-mu Emulator II.
  • Mello: Mellotron.
  • String Machines: 11 string synths including the coveted ARP String Ensemble / Eminent Solina.
  • The Beast: New England Digital Synclavier.
  • UltraMini: Moog Minimoog, including a “modern” version that’s ostensibly a Voyager.
  • UVX-10P: Roland JX-10 a.k.a. Super JX.
  • UVX-3P: Roland JX-3P.
  • Vector Pro: Sequential Prophet VS and Yamaha SY22.
  • Vintage Legends: Digital Keyboards Synergy, Elka Synthex, Kurzweil K250, Rhodes Chroma, Yamaha CS-70M, CS-40M, and CS-20M, Yamaha DX1.
  • WaveRunner: Wavetable synths including PPG Wave 2 and 2.3, WaveTerm, and Waldorf MicroWave XT.

Of course, one could pore over this list and point out a couple of staples that don’t seem to be included – and that other manufacturers have emulated. But that’s not the point. Vintage Vault II has quite a few outliers and rarities that you won’t find in a soft-synth version anywhere else, which makes it an outstanding one-stop shop for composers and producers in search of a unique sound. We’re looking forward to doing a full review, of course.

 

 

Confused By Phase In Audio Recording – Free Video Explains

Our friends at Sound Radix have produced a video with Expert Julian Rodgers explaining how phase works in audio recording and why matters.

The video ‘Why Phase Matters’ explains in less than 3 minutes a recording fundamental that is essential for anyone working with multiple microphones or multiple sources of the same instrument, such as a bass mic and DI.

Check out this amazing video.

Accusonus Updates Regroover to Version 1.6

I first encountered Regroover by Accusonus at the 2017 NAMM Show. Simply put, it blew me away. Here was a program that could take a stereo audio file such as a drum loop, and isolate and differentiate between the different instruments and hits, assigning each to its own track. The user then has a full range of tonal and rhythmic control over each track, as well as (of course) the ability to cut and paste elements from one track to another.

Unless you live in a lava cave in a techless remote corner of Iceland (which I’ve considered doing during more deadline-intensive weeks), you’ve come across the term “machine learning” in the news, and that’s the key here. The program uses a type of artificial intelligence to make its decisions about what rhythmic element is what, then tease them out individually. It works remarkably well, though it should be noted that it works better on stereo files that consist mainly of clear transient information, i.e. drum loops as opposed to songs with vocals and full instrumentation.

The applications include remixing as well as crafting of entirely new grooves, and the just-recent update to version 1.6 adds the following new features:

  • Sync-to-host for locking Regroover up to existing projects in your DAW.
  • User-defined pattern lengths for producing new beats from pre-recorded samples, even if the length of the source material doesn’t match that of the pattern.
  • Ability to jam with new loops in Regroover while your DAW is playing.
  • Modifiers for instant correction of tempo errors.
  • Improved drag-to-pad functionality.

There are two levels of Regroover: Essential and Pro, which you can find out more about at the Regroover product page. In a nutshell, Pro offers more features for dragging hits to pads, creating your own kits, and integrating sounds both internal and external to Regroover itself.

Regroover Essential sells for US $99, Pro for $219. Both are Windows or Mac compatible and come in AAX, AU, and VST plug-in formats.

 

 

Softube Tips For Using Drawmer S73 Mastering Processor – Free Video

George, Product Evangelist with Softube, has produced a series of videos covering the plug-ins from the Time and Tone Bundle. Here is the video for the uber cool Drawmer S73 Mastering Processor.

The Drawmer S73 Intelligent Master Processor is the icing on the cake of our Time and Tone bundle (free with new Focusrite interfaces). It allows everyone from relatively inexperienced engineers to veterans to make huge improvements to a mix with multi-band compression on the master bus, or to liven up drums or other instruments in a variety of ways at the touch of a few simple controls

Cory Henry of Snarky Puppy Plays the New Moog Subsequent 37

Moog Music’s very popular Sub 37 analog synthesizer, which featured two voices via its paraphonic circuit design, is giving way to the aptly-named Subsequent 37, which will now be the standard production model in the line going forward.

In addition to retaining all the features found in the Sub 37 Tribute Edition, Moog has improved upon the sonic specs and performance with the Subsequent 37. These efforts include:

  • Double the headroom in the mixer section, for better classic “clean” tones.
  • New gain-staging in the ladder filter to boost saturation and low end.
  • Re-tuned “Multidrive” circuit for even more growl than the original Sub 37.
  • Upgraded keyboard action.
  • Upgraded headphone amp.
  • Software plug-in editor for Mac and Windows.

In the video below, Snarky Puppy’s Grammy-winning keyboardist Cory Henry  — considered by many synth aficionados to be the musical heir of Corea, Hancock, and Zawinul combined — joins Moog engineer Cyril Lance. There’s both shredding galore and visual confirmation of the Subsequent 37’s improved sound quality via an Audio Precision oscilloscope.

The Subsequent 37 is currently shipping from Moog Music dealers worldwide, and the US price is a scant $1,499.

PreSonus Quantum And Apogee Ensemble Thunderbolt Audio Interface Shoot Out – The Results

Last week we conducted a shoot out of the PreSonus Quantum And Apogee Ensemble Thunderbolt Audio Interfaces.

The Test

The test was a simple one, to record the same audio using both interfaces and then to compare the audio quality.

This test was created using an AKG414 mic sent to a passive splitter and then sent to both interfaces connected to two different Apple Macs. We did some early tests using both interfaces on one machine using the Apple aggregate device option but felt the clocks were compromised and we did not feel this offered a fair comparison.

In the end, we settled on using a dedicated machine for each interface allowing each device to use their own internal clock.

All audio was recorded in Studio One 3.51 at 96/24.

The Results

Examples 1 were the Ensemble and Examples 2 were the Quantum. The results of the listening tests are as follows.

PreSonus Quantum And Apogee Ensemble Thunderbolt Shoot Out – Results

314 people took the listening test

Summary

So who are the winners and the losers? On the simple numbers, the Quantum claims first place by a whisker, but all three are pretty close.

What this shoot out shows is that it’s hard to differentiate between modern high-quality audio interfaces – even with a significant price differential.

The real winner is the customer, as this poll shows, in a relatively short space of time the price for a high-quality Thunderbolt audio interface has dropped considerably.

Richard Devine Talks MIDI, Deadlines, and iConnectivity

Composer Richard Devine just may be the hardest-working composer in electronic music today. From early work such as his attention-grabbing remix of Aphex Twin’s “Come to Daddy” to current projects for film, video games, and even Google, he’s always busy.

Recently, he sat down with the MIDI Association (formerly the MIDI Manufacturers’ Association), the non-profit alliance of industry professionals that serves as official steward of the MIDI spec and engages in public education about MIDI and electronic instruments. Though those who know his work associate him with mountains of modular and analog synth gear, he emphasizes how important MIDI is to his workflow and livelihood. 

The original interview, which you can read here, then segués into him looking forward to using iConnectivity’s new MIO M10 MIDI interfaces — which notably can connect to and integrate two computers at once in addition to routing MIDI data from a ton of gear — to further integrate his studio. iConnectivity CEO Michael Loh then chimes in. 

Check out a bit of Richard’s patch experimentation below. 

KnobCon 2017 Announces Full Lineup

KnobCon, a grassroots synth convention located in Chicagoland but attended by manufacturers, experts, and enthusiasts from all around the world, is having its sixth annual meetup from September 8 through 10. (Our editor Stephen Fortner will be in attendance and hopes to see you there!)

Beyond the exhibit floor brimming with modular, analog, and modern digital gear alike, this year’s roster of workshops and panels looks like the best ever. It was just recently finalized, so here are the details:

SATURDAY, SEPTEMBER 9, 2017

11:00 A.M. – The Basics of Synthesis with Marc Doty – Marc Doty, former archivist for the Bob Moog Foundation, is the creator of countless YouTube synthesizer reviews and tutorials. Here, he breaks down the basics of synthesis for newcomers, the curious, or even veterans who might be surprised at the benefits of a refresher.

1:00 P.M. – Randomness Applications in Electronic Music with Jon Sonnenberg – This workshop examines the ways in which randomness and probability can be applied in electronic music production and performance.

3:00 P.M. – Ask Me Anything with Michael Lehmann Boddicker – One of the most influential and prolific synthesist/keyboardists in the pop music and film industries for over four decades, Mr. Boddicker’s work includes composing the soundtrack of the cult sci-fi film Buckaroo Banzai and crafting keyboard sounds on Michael Jackson’s album Thriller. It would use far less space to list the projects he hasn’t worked on! Ask this legend anything on a panel moderated by KnobCon founder Suit & Tie Guy.

5:00 P.M. – Whiskey Tasting with Winston Edwards – Whiskey tasting at a synth convention? Why not? If you like whiskey, educate your taste buds about its range of flavors in this crash course presented by Balcones Distilling.

SUNDAY, SEPTEMBER 10, 2017

11: 00 A.M. – Harald Bode, Innovator Unsung with Marc Doty – Long before Bob Moog, there was Harald Bode’s groundbreaking accomplishments in electronic instrument design and signal processing — in the 1930’s, no less! Marc Doty presents an exploration of one of the least well-known yet most influential and relevant inventors in the field of electronic music technology.

1:00 P.M. – A History of Reverberation in Recorded Music with William Beith – Chicagoland’s very own plate reverb craftsman has built reverbs for many leading studios. He explains how reverb came to be used in recordings, its development, and the mechanics behind the ambience.

3:00 P.M. – Ask Me Anything with Tom Oberheim – If you have to narrow modern synth designers down to a “big three” of demigods, Tom Oberheim’s name invariably goes next to Bob Moog and Dave Smith. Now’s your chance to find out anything you’ve always wanted to know about his work, straight from the man himself. Moderated by KnobCon founder Suit & Tie Guy.

5:00 P.M. – The B-Boy Tech Report with Corry Banks – The popular music production podcaster conducts a broadcast live from KnobCon.

In addition, build-it-yourself workshops will run on both Saturday and Sunday. Hit up the event page for links to information about these, registration, lodging, and more. FYI, all of the above fits into the “Informative Workshops” section of the larger overall event schedule you’ll find on this page.

 

 

 

Free Tutorial – How To Use The Waves CLA Vocal Compressor

https://embed.pivotshare.com/?media_id=65180&channel_id=5465

Dan Cooper, Deputy Editor of Pro Tools Expert, has produced this free video tutorial to help you get the best from the Waves CLA compressor.

Chris Lord-Alge on CLA Vocals: “The most important part of any song is the vocals. The CLA Vocals plugin makes this part of mixing an absolute joy. I have taken the very best settings which I use in my everyday mixes and crafted them into this chain. It works great on all styles of singers and, best of all, they will want that sound every time! You also get three flavors of the top six effects you need: the right amount of bass, treble, compression, reverb, delay, and chorusing/doubling.”

In this free video tutorial, Dan uses a male vocal in a folk track.

Native Instruments Maschine Adds Simple, Fat Internal Bass Synth

As of version 2.6.8, Native Instruments groove-oriented hardware-software combo Maschine has added a simple but very rich-sounding monophpnic bass synth. From gliding nasal “acid” basses to sub-bass sine waves, it’s all in here and very simple to access between the 40 presets and the simple but effective complement of controls. 

Also in this update is an isomorphic keyboard mode for the Maschine Jam hardware, allowing easy playing of melodies and harmonies. 

The update is available now via Native Access. Check out the video below for a quick walk-through Native Access.