Monthly Archives: February 2017

New Plug-in – Exponential Audio Announce R4

Our good friends at Exponential Audio have just announced their latest plug-in – R4, a powerful new reverb with the character of a classic reverb and a host of new features.

Heres what they have to say about R4;

“Every generation of engineers and producers has iconic pieces of studio equipment; they act like markers along the path of recording history. Many top engineers will talk about reverbs in the same way, they will speak of the first time they heard some of the classic hardware reverb units which have created a dynasty over the past few decades. Some of these units have Michael Carnes’ fingerprints on them, and his new creation R4 is the next reverb in this royal lineage. R4 offers all the class of historic hardware reverb units but with many new features only possible with modern plug-in development technology. R4 is pure class and for this reason, is destined to become a classic. NIMBUS set a new standard for transparent reverb with unprecedented flexibility.  R4 is about to do the same for character reverb. R4 will transform your mix by adding movement and fatness to the reverb tail.” 

Features At A Glance

  • Powerful EQ section
  • 6 selectable types of filter for input, early reflection, and reverb tail. 
  • Early and tail EQ can be dynamically modulated. Whether a subtle pulsation or sweeping notch, modulated EQ is a powerful new weapon in the producer’s toolkit.
  • R4 retains the Chorused Hall of earlier Exponential Audio plugins. And it adds a second Hall with density modulation that adds motion to the tail without adding pitch change. Of course, you can add pitch modulation on top if you want it! These halls are the perfect solution for sparse or sterile mixes and solos.
  • There’s also a Plate and Chamber; updated from R2.
  • Warp section with compressor/expander and overdrive
  • Pre-delay and reverb delay now adjustable by tempo
  • Tail suppression circuit for more dynamic response
  • Freeze button. Click the button, and the contents of the reverb go into an infinite mode that goes on as long as you like
  • Gated reverb effects
  • Over 1200 presets
  • Helpful tool-tips to guide new users

Pricing And Availability

R4 will be on sale at $299USD/€289EU with a free 21-day trial available from the Exponential Audio website. There’s more good news as well, with special pricing offered for existing Exponential Audio customers. R4 will be shipping from March 10th 2017.

How To Assign Multiple Keyboard Shortcuts To A Function In PreSonus Studio One

Keyboard shortcut’s can drastically improve one’s productivity. But there are certain cases where you may find yourself in need of being able to trigger them with more than just 1 key combination. Case in point – try moving over to a laptop when you’ve worked on a full sized keyboard! Without a numeric keypad, you may find some of your key precious key commands are gone! But, they don’t have to be.

In this free video tutorial in PreSonus Studio One, Don Baarns demonstrates how to assign multiple key commands for various functions in Studio One.

Using Waves Center To Widen Pads In PreSonus Studio One

https://embed.pivotshare.com?media_id=59127&channel_id=7235

In this video, Marcus demonstrates how Waves Center can be used to augment the stereo image and frequency spectrum of a synth pad in PreSonus Studio One.

FREE Vintage Electric Piano Instrument From NoiseAsh Audio Tools – VST/AU Compatible

Nothing like a nice little freebie! Check out this cool Vintage Electric Piano Instrument from NoiseAsh Audio Tools.

Pretty much does what it says on the tin – so if you’re looking to add another Flavour of Vintage Electric Piano’s to your library, its definitely worth checking out. You can download Sweetcase Vintage E.P here – and all it will cost you is a like, subscribe, or a follow.

System Requirements

  • Windows XP SP2 or later / OSX 10.6.8 or later
  • 4 GB RAM / 250 MB HD
  • 1024×768 screen resolution
  • VST, AU instrument plugin 32 bit or 64bit host
  • Internet connection for download

Overview

  • Warm, shiny realistic & customizable professional vintage electric piano sound with 3D GUI.
  • Like most of NoiseAsh Audio products, this is a Mix ready instrument. That means your e-piano tracks won’t need to be tweaked for a modern analog vibe. It can be used in any kind of music that needs piano / electric piano tracks.
  • All samples were recorded, mixed / mastered through classic analog gear such as tape saturation, tube eq and compressors.
  • Multiple round robins and velocity layers for a realistic sound.
  • Bass Boost, Bell, Modulation (Pan, Tremolo and Pitch), Built in Reverb controls.

3 Ways To Use The Waves DBX 160: Part 2 – Drums

https://embed.pivotshare.com?media_id=59158&channel_id=7235

In this video, Marcus Huyskens demonstrates using the Waves DBX 160 in parallel on drums, to add solid low-end reinforcement to the kick, crack to the snare, and raise the apparent loudness.

Universal Control v2.0 Now Available For Download

Universal+Control+2.0

Our good friends at PreSonus have released Universal Control v2.0, UC Surface IOS, as well as a new Qmix-UC IOS/Android app, and an update to Capture. For more information, please see the detailed release notes below;

Universal Control 2.0 Release Notes

Version Information:

  • Universal Control 2.0 (Mac/PC) – 2.0.0.41902
  • UC Surface (iOS) – 2.0.0.41902
  • QMix-UC (iOS/Android) – 2.0.0.41911
  • Capture (Mac/PC) – 2.3.0.41943

New In This Release:

UC 2.0 updates and replaces UC 1.8.3 (same mixers/interfaces supported)

  • New look and layout
  • New View Modes: Fat Channel, Sends, and Meters view
  • New Setup Options and improvements: Dark/Light color scheme adjustment, Custom Channel Colors, Colorize Channel Strips, Channel ID options, fast channel naming using Tab to next channel, Show Edit Popup
  • Channel Select Sync follow mode
  • New Flex Fader functionality for Main bus
  • Improved Scene and Preset management
  • HPF now drawn as part of Fat Channel EQ curve
  • Improvements to Parameter Edit Popups
  • Parameter Edit via Text Entry
  • Ctrl/Cmd+click to Reset Parameters
  • Resizeable and Maximizable Application Window
  • AI Consoles: Dedicated Subgroup Assign buttons in Fat Channel
  • Remote device connection maintenance improvements
     

QMix-UC updates and replaces QMix-AI (same mixers/interfaces supported)

  • New look and layout
  • New Features: Channel Groups with Grouped control in landscape mixer view and Group Master Fader control in portrait view, UC Surface style Pan controls in Stereo Mixes
  • Now shows and controls cascaded RM/RML mixers as a single 64 channel mixer
  • Support for Android devices
  • Studio 192 / Studio 192 Mobile support added *BETA
  • Remote device connection maintenance improvements
     

UC 2.0 Supports the following Operating Systems:

  • Windows 7 Service Pack 1 + Platform Update (32 bit & 64 bit)
  • Windows 8.1 (32 bit & 64 bit)
  • Windows 10 (32 bit & 64 bit)
  • OS X 10.8.5 (Mountain Lion)
  • OS X 10.9 (Mavericks)
  • OS X 10.10 (Yosemite)
  • OS X 10.11 (El Capitan)
  • OS X 10.12 (Sierra)

Capture 2.3 Supports the following PreSonus Hardware and Software:

  • StudioLive 16.4.2
  • StudioLive 24.4.2
  • StudioLive 16.0.2
  • StudioLive 16.4.2AI
  • StudioLive 24.4.2AI
  • StudioLive 32.4.2AI
  • StudioLive RM32AI
  • StudioLive RM16AI
  • StudioLive RML32AI
  • StudioLive RML16AI
  • StudioLive 32 Series III
  • UC Surface 2.0

The Following iOS devices are Compatible with UC Surface (running iOS 9 or later):

  • iPad (2nd generation)
  • iPad (3rd generation)
  • iPad (4th generation)
  • iPad Mini
  • iPad Mini 2
  • iPad Mini 3
  • iPad Mini 4
  • iPad Air
  • iPad Air 2
  • iPad Pro

The Following iOS devices are Compatible with QMix­-UC (running iOS 9 or later):

  • iPhone 4S
  • iPhone 5
  • iPhone 5C
  • iPhone 5S
  • iPhone 6
  • iPhone 6 Plus
  • iPhone 6S
  • iPhone 6S Plus
  • iPhone SE
  • iPhone 7
  • iPhone 7 Plus
  • iPod touch (5th Generation)
  • iPod touch (6th Generation)

The Follow devices should be Compatible with Qmix-UC:

  • Any device running Android 5.0 or later
  • NOTE: Given the sheer number and variety of Android devices, there is no way to comprehensively qualify all devices that support Android 5.0 or later. Any device running Android 5.0 should work, but support and functionality may vary depending on the device.

UC 2.0 Does Not Support the Following Legacy Operating Systems:

  • Versions of Windows 7 earlier than Service Pack 1 + Platform Update
  • Windows 8 (users should update to Windows 8.1)

Known Issues:

UC Surface

  • Series III: WDM channels should be routed to Mixer Sends/Returns 37 & 38, not 1 & 2
  • Control and metering for mixers connected over firewire is too slow
  • Mute Group and Mix Scene custom names not persistent for AI family mixers
  • UC Surface + Notion Causes Studio 192 to Reset or Lock Up (Mac)
  • Copy, Delete, & Rename local Scenes for Cascaded mixers not functioning correctly
  • Should default to Edit mode when Selecting an empty Subgroup
  • Smaart Wizard Go Remote Functionality missing
  • RM/RML Talkback source not retained after power cycle
  • RM Mixers Fat Channel Reset Button Does Not Reset the HPF (or LPF)
  • AI/RM Mixers: Restoring a Mixer Backup over Firewire is not possible. Must be done over Network connection
  • AI/RM Mixers: Auxiliary Firewire Input 52 driver label is incorrect
  • AI Consoles: No Gain Reduction meter in the Ch. Strip next to the Input meter
  • AI Consoles: Solo level missing from UC Surface
  • AI Consoles: Can not edit Mute Group and Mix Scene names

Qmix-UC

  • QMix-UC has no permissions capability for Studio 192

Capture

  • Main R meter for Series III mixers not shown (Main L meter is present)
  • Playback routing incorrect with cascaded classic StudioLive 16.4.2 consoles

For more information or to download Universal Control v2.0 – Click here

PreSonus Studio One 3.3.4 Maintenance Update Released

Studio+One+3.3.4+Update

PreSonus – the makers of Studio One have released a maintenance update – Studio One 3.3.4. For more information on what’s new, see below;

Version 3.3.4 Release Notes (February 21, 2017):

New features and improvements:

  • Trim start/end to cursor works for selected track if no event is selected
  • Unpack layers to tracks in the context menu on range selection. Also for specific
  • layers (via range selection on layers)
  • Templates for StudioLive 32, Studio 2|6 and Studio 6|8

The following issues have been fixed:

  • [macOS] Crash when re-adding VST instruments
  • Audio engine error when activating Fat Channel
  • [macOS] AU automation broken for large param IDs
  • [macOS] Hang when zooming reference manual to small (mobile) view
  • VST3 context menu position wrong on Windows High DPI
  • Global FX off can’t be switched ON when a track is deactivated
  • Fatal error in DDP export
  • Embedded Melodyne not working in Artist version
  • Crash when loading projects with missing media files
  • [Win] Improved Direct 2D error handling
  • Channel splitter exposes noise of analog-style plug-ins 

Accusonus Release ERA-N – One-Knob Denoising Plug-in With Low Introductory Price

ERA+N

Our good friends at Accusonus have just released ERA-N – A simple and easy to use One-Knob noise reduction plug-in that offers exceptional results, without any fuss. This type of plug-in is great to have in your arsenal for dealing with everything from noise reduction for Dialogue & Voice overs, to vocals, and guitar amp sources.

I had an opportunity to get my hands on a pre-release copy, and I’ve gotta say, it really is quite amazing. As can be seen in the video below, all you have to do is simply dial up the knob – and listen to the noise disappear. Simple as that. Watch this space – as I plan to have a review up shortly.

Demo Trial & Price

Try ERA-N for yourself and experience how quickly it can denoise audio. Visit the Accusonus website to download your free 14 day trial.

ERA-N is available to purchase at a very reasonable price of $59 with an introductory price of $39 – intro pricing ends 20th March 2017

Using The Waves Greg Wells PianoCentric Plug-in To Add Vibe To Keys

https://embed.pivotshare.com?media_id=59126&channel_id=7235

In this video, Marcus Huyskens demonstrates how Waves PianoCentric from the Greg Wells Signature Series can be used to dial in various different styles of processing on a piano track in PreSonus Studio One.

Video Review – Oxford Limiter v2 By Sonnox

Check out this awesome in depth video review of the Sonnox Limiter – courtesy of Peter Barter from our sister site Pro Tools Expert.

Like Peter, I too have always been a huge fan of Sonnox plug-in’s – and this particular limiter has long been my go-to limiter of choice on my music mixes. In addition, this latest update has also brought it right up to par with the modern specs we need to hit via the added “True Peak” limiting mode.

Main Features

  • Peak limiting with attack, release & variable soft-knee
  • Enhance section to increase perceived loudness 
  • Recon meter shows actual rather than sampled signal 
  • Auto Comp fixes recon errors without losing overall loudness: conforming to the industry’s true peak measurement standard (ITU-R BS.1770-4)
  • Audition and apply TPDF dither for 24-bit and 16-bit output word lengths with four types of variable noise shaping
  • Four variable-strength noise shaping modes for use with highly dynamic program material
  • Full backwards compatibility with previous Plug-In versions
  • Great library of factory presets to get you started

Compatibility

  • AU, VST2, AAX
  • Mac / Windows

Peter goes on to say;

“With the inclusion of the very musical sounding enhancement section and newly added reconstruction meter and automatic correction to take care of the true peaks for use in broadcast loudness workflows and mastering for digital download and streaming, is the Oxford Limiter v2 the ultimate modern limiter?”

If you’d like to get a copy or take the plug-in for a test drive – visit the Sonnox website for more information.